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Venus, Vanishing by Rebecca Birrell review – art, desire and the rise of the Third Reich

This portrait of a Jewish painter in bohemian Berlin is filled with insightful observations

On Thin Ice by Charlie Walker review – a Siberian adventure goes off the rails

Moments of beauty and horror punctuate this account of an ill-timed sub-zero camping trip

These Wild English by Nicola Wilding review – explaining a mother’s drift to the far right

A documentary-maker probes family history and the darker corners of the internet to solve an urgent political puzzle

Cool Machine by Colson Whitehead review – final part of the Harlem Trilogy is freewheeling fun

The grit and grandeur of 80s New York drive this rollicking story of an underground wheeler-dealer

Yellow Pine by Claire Vaye Watkins review – messy portrait of protest subculture

Watkins should have been the ideal writer for this sympathetic take on new age spirituality and desert eco-activism – but the results are confusing

A Sudden Flicker of Light by David Thomson review – a brilliantly eccentric history of the movies

From the golden age of Hollywood to harder times today, this is a rapturous account of more than a century of cinema

The best recent crime and thrillers – review roundup

The Runner by Scarlett Thomas; The Madman by Henning Mankell; Everything She Didn’t Say by Jane Casey; The Spy and the Snake by MJ Robotham; Murder at the End of the World by Akane Araki

The Red Mouth by Sheila Armstrong review – profound exploration of Ireland’s deep time

Sinister bogland discoveries haunt the intersecting lives of four characters in this meditative, exquisitely written tale

Worry Doll by Laura McPhee-Browne review – a sensual, sinister novel about the horrors of desire

Two women meet on a train and tumble into an all-consuming affair told from both sides – who have very different stories

Grief Is the Thing With Feathers by Max Porter review – a bravura rendering of bereavement

Actor Russell Tovey’s narration crackles with compassion and menace in this magical story of a widower and his young sons in mourning

Up All Night by Imogen Willetts review – a seductive history of going out

From 18th-century pleasure gardens to Studio 54, the story of nightlife in all its hedonistic – and political – glory

The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis

Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar

The passionate allegory on Stalinism is outrageously reduced to happy-ending panto in this defanged animation featuring the voices of Seth Rogen, Laverne Cox and Glenn Close

Hidden Creatures by Dino Martins review – the revolting world of parasites

From maggots to viruses, this gross-out compendium also manages to celebrate the awe and inventiveness of nature

The First House by Avni Doshi review – an intense portrait of marriage and freedom

In the follow-up to the Booker-shortlisted Burnt Sugar, a woman seeks liberation from her controlling relationships

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  • The Rhyl Poster by Tom McCarthy review – is this avant-garde spy drama worth the riddles?
  • Pay Attention by Laura Kuenssberg review – a BBC reporter’s howl of frustration
  • Love the C word? You might be Australian. Hate it? You might be American
  • Like many authors, I’m bombarded by scam fan mail. I wasn’t prepared for what would happen when I wrote back
  • Unseen Harry Houdini writing published on 100th anniversary of his death
  • What we’re reading: Ian Rankin, Louise Kennedy and Guardian readers on the books they enjoyed in October
  • ‘Being hated is very bracing’: Helen Garner on surviving three marriages and being called a ‘rotten feminist’
  • Nigel’s ‘chiselled cheekbones’ make the news – Reform’s the Reformer, digested by John Crace
  • The Guardian view on 50 years of The Selfish Gene: flawed, outdated, yet still a model of truly popular science writing
  • I wrote a book about death. Here’s what people really think about dying
  • The best recent translated fiction – review roundup
  • Philippa Gregory: ‘I read 100 of the 18th century’s most popular novels – the perfect author’s apprenticeship’
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Ike Ong obituary
  • Sarah Howe wins Forward poetry prize for best collection
  • Bram Stoker’s Dracula audiobook review – cinematic horror with an A-list cast
  • Hometown by Shaun Tan review – another masterpiece from the acclaimed author-illustrator
  • If British Library reading rooms become ‘co-working spaces’, what, exactly, is a national library for?
  • Are You With Me Now? by Hanif Kureishi review – a novelist unleashed
  • Liz Truss has brought our divided nation together – in mockery of her
  • ‘We sold out tickets within 13 minutes’: new novel from romantasy author Sarah J Maas sparks fan mania
  • Two years on from our first newsletter … how has the Long Wave evolved?
  • Walter Koenig obituary
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • ‘There is no inevitable dystopia’: Jeanette Winterson on AI and the future of humanity
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert
  • Is It Too Late to Make a Run for It? by Judi Dench review – whatever you do, don’t call her a ‘national treasure’
  • Post your questions for Alex Cox
  • Gulliver fans celebrate three centuries of Jonathan Swift’s classic satire
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain

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