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Goodbye Chinatown by Kit Fan review – a chef’s elegy to London

Skipping between London, Shanghai and Hong Kong, this tale of family migration, politics and food has plenty of flavour and fire

The Art of Opposition by Courttia Newland review – piercing essays on culture and creativity

The novelist issues a inspiring call for artists to exercise their autonomy in a world of gatekeepers

The Brexit Effect, 2016-2026 edited by Anthony Seldon review – life without EU

Essays by the great and the good address the legacy of Brexit, but ignore the nationalist elephant in the room

The Anniversary by Andrea Bajani review – meet the terrible parents

Therapy brings childhood trauma to light in this ambitious tale of family rupture – a smash hit in Italy that fails to live up to its hype

The best recent science fiction, fantasy and horror – review roundup

Sublimation by Isabel J Kim; Last Day of a Prior Life by Andrés Barba; Dead But Dreaming of Electric Sheep by Paul Tremblay; The Carrier by Ruth Newton; Time to Burn by Ellery Lloyd

Transcendent by Laverne Cox review – success against the odds

The actor and activist tells the story of her brutal childhood in the deep south with eloquence and defiance

A Short History of Longans by Mirandi Riwoe review – a moving family portrait devoured in one sitting

Riwoe’s commanding new book traces a Chinese Australian family across four generations – all connected by one old longan tree

The Odyssey by Homer audiobook review – a truly fantastic journey

Anton Lesser brings poise and depth to this classic adaptation, conjuring monsters, heroes and Gods

Trouble Was by Charlotte Edwardes review – a sharp child’s-eye view of adult neglect

A young boy and his two siblings stay with their aunt in the West Country, in this haunting debut set over the long, hot summer of 1976

Service by Lauren Mooney review – a very modern ghost story

The chills are genuinely spooky in this haunted-house tale about contemporary precarity – a debut that speaks to our times

The Kiss by Katie Barclay review – on passion, power and puckering up

From Desiderius Erasmus to Luis Rubiales, a cultural history of this most intimate of gestures

We Are Not Machines by Sarah O’Connor review – can dignity at work survive the tech revolution?

A Financial Times journalist ponders the future of labour in world increasingly dominated by AI and automation

Country People by Daniel Mason review – a joyful follow-up to North Woods

This fantastical journey through family, folktales and a world beneath our feet is witty, uplifting and gorgeously written

Contrapposto by Dave Eggers review – this portrait of an artist falls flat

The story of a lifelong friendship between two art-world mavericks from the working-class midwest is disappointingly pious

The Land and Its People by David Sedaris review – crankiness and charm

Sedaris plays up the curmudgeonliness in a collection that still entertains

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  • The Rhyl Poster by Tom McCarthy review – is this avant-garde spy drama worth the riddles?
  • Pay Attention by Laura Kuenssberg review – a BBC reporter’s howl of frustration
  • Love the C word? You might be Australian. Hate it? You might be American
  • Like many authors, I’m bombarded by scam fan mail. I wasn’t prepared for what would happen when I wrote back
  • Unseen Harry Houdini writing published on 100th anniversary of his death
  • What we’re reading: Ian Rankin, Louise Kennedy and Guardian readers on the books they enjoyed in October
  • ‘Being hated is very bracing’: Helen Garner on surviving three marriages and being called a ‘rotten feminist’
  • Nigel’s ‘chiselled cheekbones’ make the news – Reform’s the Reformer, digested by John Crace
  • The Guardian view on 50 years of The Selfish Gene: flawed, outdated, yet still a model of truly popular science writing
  • I wrote a book about death. Here’s what people really think about dying
  • The best recent translated fiction – review roundup
  • Philippa Gregory: ‘I read 100 of the 18th century’s most popular novels – the perfect author’s apprenticeship’
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Ike Ong obituary
  • Sarah Howe wins Forward poetry prize for best collection
  • Bram Stoker’s Dracula audiobook review – cinematic horror with an A-list cast
  • Hometown by Shaun Tan review – another masterpiece from the acclaimed author-illustrator
  • If British Library reading rooms become ‘co-working spaces’, what, exactly, is a national library for?
  • Are You With Me Now? by Hanif Kureishi review – a novelist unleashed
  • Liz Truss has brought our divided nation together – in mockery of her
  • ‘We sold out tickets within 13 minutes’: new novel from romantasy author Sarah J Maas sparks fan mania
  • Two years on from our first newsletter … how has the Long Wave evolved?
  • Walter Koenig obituary
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • ‘There is no inevitable dystopia’: Jeanette Winterson on AI and the future of humanity
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert
  • Is It Too Late to Make a Run for It? by Judi Dench review – whatever you do, don’t call her a ‘national treasure’
  • Post your questions for Alex Cox
  • Gulliver fans celebrate three centuries of Jonathan Swift’s classic satire
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain

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