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The Tragedy of Macbeth review – Denzel Washington delivers a noirish nightmare

Denzel Washington and Frances McDormand hit top form in Joel Coen’s austere reimagining of Shakespeare’s Scottish bloodbath

Untrained blind student lands starring role in Netflix second world war epic

Disability rights groups applaud casting of Aria Mia Loberti in All the Light We Cannot See

The Humans review – Thanksgiving family drama turns apocalyptic

An eerie set and creepy camerawork ramp up the paranoia in Stephen Karam’s supremely effective adaptation of his play

Gulliver Returns review – warp speed Lilliput in maddening take on Swift’s classic

A kids’ version of the 18th-century satire could have been ripe for laughs – but this is subpar knockabout stuff

The Lost Daughter review – Olivia Colman shines in Elena Ferrante missing-kid drama

Maggie Gyllenhaal’s stylish directorial debut, adapted from Ferrante’s novel, is led by a central performance of real star quality

The Tender Bar review – George Clooney’s pain-free coming-of-age tale is a gritless oyster

This adaptation of JR Moehringer’s memoirs, directed by Clooney, is strikingly empty of plausible emotion

Clifford the Big Red Dog review – lovable scarlet hound takes on the tech bros

As the film relocates the action to NYC, Emily Elizabeth and co try to keep Clifford out of the hands of a nefarious company

The 50 best films of 2021 in the UK, No 9: The Lost Daughter

Olivia Colman is mesmerising in Maggie Gyllenhaal’s delicious adaptation of the Elena Ferrante novel

Christmas in Genovia: what exactly does Hollywood think Europe is?

Netflix and Disney set their festive films in a made-up mishmash of France, Switzerland, Romania and everything in between. Is real Europe so hard to love?

The 50 best films of 2021 in the US, No 10: The Lost Daughter

Maggie Gyllenhaal’s directorial debut turns the Elena Ferrante novel into a tense psychodrama with a standout performance from Olivia Colman

The Unforgivable review – Sandra Bullock does something terrible in ITV drama remake

Bullock plays a woman restarting life after 20 years behind bars for killing a police officer, in this compressed and contrived adaptation of Sally Wainwright’s miniseries Unforgiven

A Boy Called Christmas review – charming quest gets its Claus in all the family

Adventure, elves and home truths mingle in this big-hearted movie based on a Matt Haig children’s book

House of Gucci review – Lady Gaga murders in style in true-crime fashion house drama

Ridley Scott’s pantomimey soap entertainingly tracks fractures in the fashion world as Patrizia Reggiano plots to kill her ex, Maurizio Gucci

What connects Drive My Car to Radiohead’s Jonny Greenwood?

From Haruki Murakami to Paul Thomas Anderson via The Big Sleep, Ryusuke Hamaguchi’s latest film inspires a trip down the rabbit hole

Harry Potter and the Philosopher’s Stone review – 20 years on, it’s a nostalgic spectacular

The first film in the franchise is re-released into a very different world – but it’s as entertaining and exhilarating as ever

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  • ‘Straight out of Trumpland’: LGBTQ+ members fight for Pride after Essex library ban
  • Trump as Don Corleone: ‘Every time he does somebody a favour … he expects a quid pro quo’
  • 70 brilliant books for the summer
  • ‘Failure was my thing’: Women’s prize winner Virginia Evans on her long journey to success
  • The Guardian view on literature in wartime: words do not stop when the bombing begins
  • Mary Hooper obituary
  • ‘We can’t give up on Afghans’: Lyse Doucet on the remarkable ‘people’s history’ that won her the Women’s prize
  • More of the Christchurch shooter’s online comments have been uncovered, New Zealand researchers say. Does it change the picture?
  • The best Father’s Day gifts in the UK for dads, grandads, uncles and friends
  • ‘Are audiobooks cheating?’ We answered your questions about our 100 top novels list
  • The best recent science fiction, fantasy and horror – review roundup
  • Ruth Ozeki: ‘All my books are an attempt to recreate Charlotte’s Web’
  • The Long Drop review – Denise Mina’s whisky-soaked tale of triple murder is horribly gripping
  • The Twitnam Summer by Hester Grant review – Swift, Gay and Pope’s season in the sun
  • How to Love the World by Ilka Tampke review – a woman is trapped by a fallen tree
  • Women’s prize: Virginia Evans wins for fiction and Lyse Doucet takes award for nonfiction
  • The Artist by Lucy Steeds audiobook review – a sensory feast in Provence
  • ‘Pleasure and invigoration’: Diana Evans wins UK’s Jhalak prose prize
  • Sales of Meta whistleblower’s memoir soar after Hay festival ‘silencing’
  • Tell us: what is your favourite beach read?
  • Lovers XXX by Allie Rowbottom review – a wild journey through the 80s LA porn scene
  • Stolen Revolution by Bozorgmehr Sharafedin and Yeganeh Torbati review – Iran’s recent history explained
  • Booker prize launches new Quick Read in effort to boost adult reading rates
  • The End of Everything by M John Harrison review – near-future visions from an SF master
  • Bill Jordan obituary
  • I have found the perfect book group – we discuss problematic text messages
  • ‘I want to be other people’s cautionary tale’: how do you financially prepare for a parent’s death?
  • ‘Wear something that makes you feel silly!’ Can Austin Kleon’s tips put the spark back in my life?
  • Villa Coco by Andrew Sean Greer review – fun in the Tuscan sun
  • A British Childhood by Frank Cottrell-Boyce review – are we raising a bookless generation?

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