Jane Campion wins best director Oscar for The Power of the Dog
Campion wins her second Oscar, becoming the third female winner of the best director award
Paris, 13th District review – Jacques Audiard’s sexy apartment-block anthology
Audiard brings his typical visual fluency to this entertaining collection of interlocking stories about characters hooking up in the 13th arrondissement
Deep Water review – erotic thriller loves Ben Affleck’s slack-jawed look
Hollow-faced Affleck becomes murderously obsessed with wife Ana de Armas’s infidelities in baffling return from Fatal Attraction’s Adrian Lyne
The Godfather review – a brutal sweep of magnificent storytelling
Francis Ford Coppola’s first film in the series is still an epic, full of hypnotic acting, which reinvented mafia criminals as players in a dynastic psychodrama
Cyrano review – Peter Dinklage captivates as letter ghostwriter in musical version
Game of Thrones star brings a piercing commitment to the title role in Joe Wright’s solemn screen adaptation of Rostand’s play
Gangubai Kathiawadi review – Bollywood take on the mafia queen of the Mumbai underworld
Alia Bhatt stars as schmaltz and spectacular fantasy-musical setpieces balance the gruesomeness of this true-crime yarn
The Films of Patrick Wang review – impressive work from a tenacious truth-finder
Starting with In the Family’s discreetly told story of a family trauma, Wang’s films, seen together, showcase a civically minded vision that demands attention
Audrey Hepburn’s 20 greatest films – ranked!
On the 65th anniversary of Funny Face, we run down the Givenchy girl’s best moments – from upstaging her (usually much older) leading men to literally representing heaven in a dazzling white cable-knit
The Chaperone review – dishing dirt in well-turned hats and hair
Semi-true story from Julian Fellowes sets churchgoing Kansas lady the challenge of keeping the girl about to become Louise Brooks in line in 1920s New York
A Mouthful of Air review – postnatal depression drama is walking on eggshells
Amy Koppelman’s adaptation floats in a haze of ethereal lite-tragedy towards its end and lacks explicit storytelling passion
Death on the Nile review – Kenneth Branagh makes heavy weather of Christie caper
Branagh’s spirited performance as Poirot and a big-name ensemble cast can’t keep this stale and two-dimensional whodunnit afloat
Olivia Colman overcomes Bafta snub to take London critics’ best actress award
Colman wins prize for her role in The Lost Daughter, while Jane Campion’s western The Power of the Dog also triumphed taking home four awards
A Journal for Jordan review – bland military romance scuppers Denzel Washington
Directed by Washington, this story based on a reporter’s memoir about her soldier husband and their son fails to find a compelling focus
Wes Anderson to make new Roald Dahl adaptation with Benedict Cumberbatch
The Wonderful Story of Henry Sugar, about a magical gambler, is the latest project to arise from Netflix’s purchase of author’s catalogue
Munich: The Edge of War review – an elegant what-if twist on wartime history
Jeremy Irons is on top form as Neville Chamberlain in a Robert Harris adaptation that melds fact with enjoyable fiction