Jesse Tyler Ferguson’s 85-minute monologue and Paul Farnsworth’s immersive set deserve better than a Broadway museum piece text on the Breakfast At Tiffany’s author
Murder at the Grand Alpine Hotel by Lucy Foley; The Silent Appeal by Janice Hallett; Cold Sunset by William Boyd; The Occidental Book of the Dead by T Geronimo Johnson and The Last Tenant by Eva Björg Ægisdóttir
At 400-plus pages, Moriarty’s follow-up is too long and offers too little reward, with menopause, vaping teens and even a stalker failing to raise the stakes