In so many words

John Mullan on the uses of eloquence in Andrew O'Hagan's Be Near Me.

Still tricky

Peter Preston on Conrad Black's valiant attempt to rehabilitate a White House crook, Richard Milhous Nixon.

Sea power

The impressionists went to the Normandy coast to catch the effects of the light and the spray. William Feaver on the paintings that made waves.

An inspector calls

Prosper Mérimée is best known for the novella on which Bizet based Carmen. Yet his greatest achievement was to rescue France's architectural treasures from the vandalism of 19th-century developers. Julian Barnes celebrates an unusual polymath.

Afterthoughts

State of Denial | Big Babies | Le Tour | A Home From Home

Shelley: poet, predator and prey

An exhilarating new life traces the 'angelic' movement of the Romantic's mind. But mere mortals paid dearly for his unearthliness says Hilary Spurling.

The examined life

Catherine Taylor, Caroline McGinn and Craig Taylor on Guilty | Lilian's Story | The Anthology of New Writing, vol 15 | The End of Innocence | Goodnight Irene

Cabinets of curiosity

Do pots have to have a purpose and be cheap enough to drop? Edmund de Waal's formidably ambitious work challenges the philosophy of potting as functionalist, ruralist and local, to turn ceramics into art. By Fiona MacCarthy.

‘Great souled’

Lives & letters: As his autobiography makes clear, Mahatma Gandhi was too concerned with sex, diet and politics to be the otherworldly saint many took him to be. Pankaj Mishra on a classic of the confessional genre.

Flying the flag

Although very different in size and scope, the Aldeburgh festival (now in its 60th year) and the Proms continue to make a vital contribution to the cultural health of the nation, argues departing Proms director Nicholas Kenyon.

‘Have I the strength to kill her?’

The Gibbons twins spoke their own language, hated each other, took up arson and wound up in Broadmoor. Perfect stuff for opera, says librettist April de Angelis.