Anita Sethi 

The Night Guest review – an unsettling presence looms in Fiona McFarlane’s accomplished debut

The tiger, imagined or real, prowling the pages of this atmospheric novel throws into relief human fierceness and frailty, writes Anita Sethi
  
  

the night guest mcfarlane
Fiona McFarlane: 'confounds and delights to the end.' Photograph: PR

Tigers have long prowled the pages of literature, from William Blake's "The Tyger", in which he imagines a "tyger, tyger, burning bright/ In the forests of the night", to the Booker prize-winning Life of Pi by Yann Martel, in which the question of whether the tiger is real or imagined confounds and delights to the end.

That question of how real the tiger is also becomes central to The Night Guest by Fiona McFarlane, a highly accomplished debut shortlisted for the Miles Franklin award and the Stella prize. Lonely widow Ruth wakes at 4am in her isolated house on the coast of New South Wales, Australia, sure that she can hear a tiger inside, so sure of some presence that she phones her son Jeffrey in New Zealand, yet also aware that the tiger might not truly be in the house, but in her mind alone. After all, she hasn't seen the tiger but heard the panting of a large animal, "a vibrancy of breath that suggested enormity and intent".

Enormity and intent arrive the next morning, in the form of an unexpected human visitor, Frida, claiming to be a government carer, charged with helping 75-year-old Ruth with her daily tasks. The enigmatic Frida is initially a welcome presence, listening to Ruth's stories of her childhood in Fiji and helping her reconnect with a long-lost love. But when she moves into Ruth's spare room, the reader questions the boundary at which helping becomes hindering as Frida increasingly seems to control all aspects of Ruth's life, from her mind to her money.

The trope of the unexpected visitor, the mysterious stranger, is a powerful one in fiction and has previously been used to great effect by writers such as Ali Smith, in her novel The Accidental and short stories. Here, McFarlane employs it excellently, as Frida's unsettling presence makes Ruth question her life and identity, as the strange becomes familiar and the familiar grows strange. The narrative is incrementally poignant as Ruth's memory waxes and wanes and her mind grows as wild and unpredictable as the sea raging outside. The animal at the heart of this atmospheric novel ultimately sets into high relief the fierceness and frailty of the humans.

 

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