A beguiling biography of a prominent 18th-century family; the tale of two strait-laced brothers on the European grand tour; and a mother’s struggle with the Nazis
Nothing Can Hurt You by Nicola Maye Goldberg; The Divine Boys by Laura Restrepo; The Sandpit by Nicholas Shakespeare; Brixton Hill by Lottie Moggach; One Year of Ugly by Caroline Mackenzie
Jack Reacher, VI Warshawski, Harry Hole ... Leading crime writers reveal how they came up with their most famous creations, what it’s like to live with them over decades and if they’ll last the distance
The House on Fripp Island by Rebecca Kauffman; Seven Years of Darkness by You-jeong Jeong; The Other Passenger by Louise Candlish; The Devil You Know by Emma Kavanagh; Die for Me by Luke Jennings
Never mind newly minted corona lockdown stories, authors are frantically rewriting existing projects to reflect a world turned upside down by the pandemic – or shelving them indefinitely