Harrison’s poetry and plays made an electrifying connection with readers and audiences through his use of Leeds dialect, and his ear for rhyme. Writers remember his greatness
William Golding’s bleak vision of civilisation holds up after 70 years, but Nigel Williams’s 1995 adaptation, revived with a sparky cast, might not be cruel enough for our times
Puppetry and silent cinema techniques are used to retell Marie Belloc Lowndes’ novel and its film version in a show played for laughs rather than thrills
When Shakthi’s family migrated from war-torn Sri Lanka in the 80s, they brought the family house with them. It became a symbol, a sanctuary, a trap – and a key part of his identity
Revered for her work on Succession and Normal People, Alice Birch has now written an era-spanning play about men, novels and the manosphere. Give me a Brontë any day, she says
Ukrainian-born Ilya Kaminsky’s book-length poem is a potent theatrical force of many moving parts – signing, speech, surtitles, even a drone hovering over the audience
Oraine Johnson’s emotionally available take on Jay Gatsby adds more energy to a dance-filled show but Fitzgerald’s lesson risks getting lost amid the frocks and fun
Deaf Republic, a collection of war poems written by the Ukrainian American Ilya Kaminsky, have caused a sensation. Now they have been turned into an extraordinary play