The ‘crookednesse’ of Richard III’s back was presented by Shakespeare as an expression of his villainy while Quasismodo embodied saintly unworldliness. Are we ready to see disability without symbolism?
An adaptation of his bestseller Fourteen for Brisbane festival recounts the traumatic bullying that shaped a year of Molloy’s life – and aims to find a little light there too
Liz Lochhead’s Scots verse spits wit and venom as male power meets female determination with operatic intensity, in this National Theatre of Scotland staging
The Royal Court’s artistic director raves about a non-binary memoir, admires Gordon Brown’s stand on poverty and salutes Cornelia Parker’s proper mermaid
Charlotte Higgins was thrilled that her history book about Roman Britain was being adapted for the stage – until she realised it was being reimagined – and she and her partner were the romantic leads