Lolita Chakrabarti’s staging of Maggie O’Farrell’s moving novel about the death of the playwright’s son – and his resurrection in Hamlet – is powerfully played, with the occasional cheesy line
O’Farrell’s novel about Shakespeare losing his young son to the plague struck a powerful chord in lockdown. She and Chakrabarti discuss class, place and loss in their theatre adaptation
Editorial: Eyes might roll at yet another Dickens miniseries, but plays based on two more recent novels, Hamnet and A Little Life, have hit the jackpot
Verbal clashes from history are being thrillingly restaged for modern audiences. Do these grand battles prove we’ve lost the art of disagreement? And could watching them anew change the politics of tomorrow?
Daniel Day-Lewis and Michelle Pfeiffer are powerfully matched as guilty lovers in an Edith Wharton adaptation that bears comparison with Hollywood’s golden age classics
A lively, affectionate but far from adulatory new biography of the playwright marks the 50th anniversary of his death and draws on unpublished letters and diaries to expose a painful private life obscured by success