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The Yellow Wallpaper review – Charlotte Perkins Gilman’s story given hi-tech staging

Aurélia Thierrée narrates the tale of a confined ‘hysterical’ woman while Fukiko Takase dances on a screen behind her

Metamorphosis review – Lemn Sissay adaptation is more poetic than dramatic

This staging of Kafka’s story is physically exciting, even tireless, but it hits an early peak of terror then has nowhere to go for two hours

Eliza Clark’s BookTok sensation Boy Parts becomes a one-woman show

Aimée Kelly will star in adaptation of the 2020 novel about an artist who takes explicit photographs of young men

Rebecca review – Mrs Danvers steals the show in Du Maurier musical

Among polished performances, Kara Lane’s creepily obsessed housekeeper proves a powerful force

Enter the Observer/Anthony Burgess prize for arts journalism 2024

The annual competition to discover outstanding new critical writing on the arts is now opened for submissions

On my radar: Jamie Lloyd’s cultural highlights

The award-winning theatre director on being stopped in the street to talk about his tattoos, the influence of ​the musician Ryuichi Sakamoto and the ​play he’d love to direct

Great Expectations review – Bengal in 1905 is tailor-made for Dickens

Tanika Gupta brings authority and nuance to her adaptation, exploring class, colonialism, partition and invasion – and finding unexpected resonance

‘This family is being devoured’: Lemn Sissay on why Kafka’s Metamorphosis is a tale for our times

The poet has teamed up with Frantic Assembly to bring the novella, about a man who turns into an insect, to the stage. He explains why this story of family meltdown is all about modern life

Michael Frayn at 90: a miscellany of the satirical columnist’s finest moments

Playwright and novelist Frayn wrote for the Guardian since 1957. Here’s a selection of his writing from the past 65 years, covering everything from the arrival of saunas to the Lady Chatterley’s Lover trial

The Guardian view on Shakespeare’s First Folio: the sum of its history

Editorial: The year of its 400th anniversary is a moment to think about the true value of one of the world’s most expensive books

Comedian London Hughes: ‘I made more money in one year in America than my whole life in Britain’

Fed up with the white boys’ club of British standup, a one-way ticket to LA finally brought fame to the ‘comedy Beyoncé’. Now she has written a memoir detailing her rise from bullied teen to transatlantic hit

Power to the people! Film, music, books and more about collective action

From a vast anti-war statement by Pablo Picasso to a powerful treatise on section 28, our critics showcase culture that reminds us what we can achieve when we come together

Rob Delaney: ‘I can’t help it, swearing makes me happy’

The actor and writer on getting his grief down on the page, the five ingredients of good comedy and why the actors’ strike is sure to succeed

On my radar: Val McDermid’s cultural highlights

The bestselling crime writer on exploring the Belgian coast, deep-diving into the middle ages and an enlightening exhibition of female Scottish artists

To see or not to see: Edinburgh fringe’s startling plays about perception

Two new shows at the festival question senses of hearing and sight in engaging and eccentric ways

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← Older posts
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  • Collapse by Édouard Louis review – coming to terms with a brother’s death
  • Morbid by Saul Justin Newman review – why everything you think you know about longevity is wrong
  • Cracking sleaze, Gromit: Wallace’s long-suffering canine companion to tell all in memoir
  • Wombles set to return after 27 years as IP deal opens door to comeback
  • ‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
  • Kazuo Ishiguro announces 1930s spy caper to be published next year
  • ‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
  • The Uses of Utopia by Joad Raymond Wren review – can the ideal society ever exist?
  • Natural Disaster by Lisa Owens review – the last day of maternity leave is a comic rollercoaster
  • From tents to trebles: Edinburgh book festival to set author’s words to music
  • From Bloomsbury to Whitehall: new play reimagines life of John Maynard Keynes
  • Wash by Erica Wagner review – vivid portrait of a monumental American
  • Photographer Don McCullin to focus on Vietnam for his final book
  • Togetherness by Rowan Hooper review – a stunning portrait of cooperation in nature
  • ‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist
  • ‘Straight out of Trumpland’: LGBTQ+ members fight for Pride after Essex library ban
  • Trump as Don Corleone: ‘Every time he does somebody a favour … he expects a quid pro quo’
  • 70 brilliant books for the summer
  • ‘Failure was my thing’: Women’s prize winner Virginia Evans on her long journey to success
  • The Guardian view on literature in wartime: words do not stop when the bombing begins
  • Mary Hooper obituary
  • ‘We can’t give up on Afghans’: Lyse Doucet on the remarkable ‘people’s history’ that won her the Women’s prize
  • More of the Christchurch shooter’s online comments have been uncovered, New Zealand researchers say. Does it change the picture?
  • The best Father’s Day gifts in the UK for dads, grandads, uncles and friends
  • ‘Are audiobooks cheating?’ We answered your questions about our 100 top novels list
  • The best recent science fiction, fantasy and horror – review roundup
  • Ruth Ozeki: ‘All my books are an attempt to recreate Charlotte’s Web’
  • The Long Drop review – Denise Mina’s whisky-soaked tale of triple murder is horribly gripping
  • The Twitnam Summer by Hester Grant review – Swift, Gay and Pope’s season in the sun
  • How to Love the World by Ilka Tampke review – a woman is trapped by a fallen tree

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