Little Dogs – review

Bold and spirited, dynamic and raw, this play revels in the nocturnal rituals enacted on Swansea's streets and beach, writes Elisabeth Mahoney

The Great Gatsby – review

It would be perfectly possible to exit the theatre none the wiser about what exactly is the problem with Gatsby, Daisy and this generation of American youth, writes Lyn Gardner

Gatz: The greater Gatsby

A performance of every word of F Scott Fitzgerald's jazz era classic, Gatz lasts a marathon eight hours (with a break for dinner). How do the actors manage it? Emma Brockes meets them in New York

Kidnapped – review

Ed Robson clearly understands the value of storytelling simplicity, so it's a shame he keeps throwing out ideas that muddy the waters, writes Mark Fisher

Clytemnestra gets a makeover

Is Clytemnestra, whose daughter is sacrificed for Troy, finally about to get her revenge? Poet Gwyneth Lewis explains why she reimagined her fate

Mary Shelley – review

The early scenes suggest something more emotionally resonant than is finally delivered, and radical ideas are sidelined in favour of giddy teen romance, writes Lyn Gardner

The Odyssey – review

There is wonder in the everyday poetry of Paper Cinema's ingenious retelling of The Odyssey as it delivers an epic in makeshift miniature, writes Lyn Gardner

Earthfall – review

The darker tug of erotic tension and the fear of self-revelation is finely observed in the aggressive, thrashing heft of the choreography, writes Judith Mackrell