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In brief: The Short End of the Sonnenallee; Oxblood; Because They Can Play F’cking Good Football – reviews

A pitch-perfect East German novel translated by Jonathan Franzen; a gripping tale of the Manchester underworld; and Erik ten Hag in verse

What we’re reading: writers and readers on the books they enjoyed in April

Authors, critics and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments

Menage a quatre: why most poetic biopics are romantic fiction

Director William Nunez describes why he focused on a time when the poet Robert Graves – best known for a memoir Goodbye to All That and historical novel I, Claudius – left his wife and family in pursuit of creativity at any cost

Heard the one about the standup lawyer? Why even top artists now need a side job

Want to survive in the arts? Get a side hustle. We speak to an award-winning poet and governance manager, a gigging guitarist and teacher – and a successful comic who doubles as an immigration lawyer

Sarah Holland-Batt wins Stella prize for ‘tender’ poems about her father’s death

Poet and outspoken advocate for aged care reform is the second poet in a row to win $60,000 award for Australian women and non-binary writers

Poem of the week: In the Tunnel of Summers by Anne Stevenson

The blurring of time in the fragile experience of summers past and present provides the ground for this poignant reflection

How to Build a Boat by Elaine Feeney review – secret shame and practical woodwork

The writer’s impressionistic second novel follows a pupil and teacher as they navigate the social codes of rural Ireland

Time Come: Selected Prose by Linton Kwesi Johnson review – voice of a generation

A collection of the radical poet’s writing charts a groundbreaking career chronicling the black British experience

Poem of the week: The Bin-Men Go on Strike by Raymond Queneau

Discovering treasure in what the world has discarded, this freewheeling reverie carries with it radical ideas about art

Solmaz Sharif: ‘I don’t shy away from hurting the reader’

The Iranian-American poet on puncturing comfort, staying an apostate and her teenage love of RL Stine

Plot by Claudia Rankine review – the lives of mothers

The award-winning author of Citizen turns her mind to the complexities of balancing art and parenting

Poem of the week: The Place I Am by Peter Bennet

The boundaries between place and self become intriguingly fuzzy in this painterly reflection

The new LGBTQ+ lit list, chosen by writers

From sensational memoirs to sublime poetry, Douglas Stuart, Ali Smith, Colm Tóibín and others share lesser-known books about queer life that deserve to be classics

‘I’m a CBE, I’m poet laureate so I’m clearly not a republican am I?’: Simon Armitage on his radical roots and rock star dreams

When Simon Armitage left his job as a probation worker to become a full-time poet his dad was horrified. Is the former young subversive turned royal appointee now part of the establishment?

‘Plenty to savour’, ‘sensual’, ‘a great gift’: the best Australian books out in April

Each month, Guardian Australia editors and critics pick out the upcoming titles they’ve already devoured – or can’t wait to get their hands on

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  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships
  • A feud ‘straight out of Succession’, a rental thriller and an ‘absolute ripper’: the best Australian books out in April
  • What we’re reading: writers and readers on the books they enjoyed in March
  • JD Vance announces a new memoir about his conversion to Catholicism

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