Phil Hoad: The film's release should have been a global event, but its studio's reticence over its fragmented form has led to disappointing box office returns
James Smythe: This tale of a stereotypical nerd who buys a possessed car plays into the hands of those detractors who label Stephen King's work formulaic. I suspect it was the first time his fans felt cheated
Alex von Tunzelmann: Every showtune rendered in grubby closeup does not a historically accurate film make. Just which French Revolution are we talking about here?