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The Archies review – Riverdale goes to India for goofy lessons in capitalism

Relocated to north India in 1964, the comic-book class struggle here comes complete with romance and brilliant choreography

Wonka review – Timothée Chalamet’s Chocolate Factory prequel is a superbly sweet treat

Timothée Chalamet leads a beguiling cast in a backstory that rinses away all sourness from Roald Dahl’s embittered chocolatier

Eileen review – Anne Hathaway is vehement in solemnly intense psycho-noir

Ottessa Moshfegh’s novel becomes a disappointing movie, unable to decide if it’s a thriller or a dark comedy, though Thomasin McKenzie and Hathaway give it their all

Leave the World Behind review – Julia Roberts and Mahershala Ali excel in cracking apocalyptic thriller

Sam Esmail’s sharp, hugely enjoyable dramatisation of Rumaan Alam’s acclaimed novel​ is exec produced by the Obamas

Leave the World Behind review – Julia Roberts and Ethan Hawke’s apocalypto-paranoid thriller

Julia Roberts and Ethan Hawke’s weekend getaway starts to go wrong when two mysterious strangers appear at the door. Then things get weirder

My Father’s Secrets review – Holocaust pain unlocked in Jewish coming-of-age tale

Animated feature, based on Michel Kichka’s autobiographical graphic novel, explores the legacy of genocide from a sideways angle

Aurora’s Sunrise review – remarkable story of genocide horror and survival

In archive interviews and painterly animated reconstrucions, Aurora Mardiganian recalls her experiences during the Armenian genocide – and how she escaped to the US and became a silent film star

Desperation Road review – Mel Gibson still after redemption in southern crime yarn

Hardluck single mother blows into a small town just as an ex-con returns there, and many thinly drawn secondary characters kick off

Can Greta Gerwig bring a new kind of magic to Netflix’s Narnia Chronicles?

The Barbie film-maker is set to direct adaptations of at least two of CS Lewis’s fantasy novels for the streaming giant – will she do better than the last ones?

Elon Musk biopic to be directed by Black Swan film-maker Darren Aronofsky

The Oscar-nominated film-maker will adapt the recent biography by Walter Isaacson after independent studio A24 won a ‘heated’ bidding war for rights

Leo: Bloody Sweet review – leave your logic at the door for rampaging action yarn

The Tamil version of David Cronenberg’s A History of Violence is wildly enjoyable, packed full of hyenas, car chases, fight scenes and, of course, song and dance

The Hunger Games: The Ballad of Songbirds and Snakes review – back to an empty future

Prequel to the hit teen dystopia recruits Rachel Zegler and Jason Schwartzman to labour over IP that is now starved of inspiration

Stamped from the Beginning review – tracing racism throughout American history

Oscar-winning director Roger Ross Williams talks to high-profile Black women in a hybrid documentary/animation based on Dr Ibram X Kendi’s landmark book

A Forgotten Man review – watchable account of central figure in Swiss wartime guilt

Laurent Nègre’s stagey film is also a free adaptation of Thomas Hürlimann’s play on the same subject, and may have worked better in the theatre

Butcher’s Crossing review – Nicolas Cage keeps quiet in buffalo-hunting western

Cage leads a strong cast into the wilderness in an adaptation of John Williams’ punishing novel that cannot quite convey the full horror of its events

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  • ‘Failure was my thing’: Women’s prize winner Virginia Evans on her long journey to success
  • The Guardian view on literature in wartime: words do not stop when the bombing begins
  • Mary Hooper obituary
  • ‘We can’t give up on Afghans’: Lyse Doucet on the remarkable ‘people’s history’ that won her the Women’s prize
  • More of the Christchurch shooter’s online comments have been uncovered, New Zealand researchers say. Does it change the picture?
  • The best Father’s Day gifts in the UK for dads, grandads, uncles and friends
  • ‘Are audiobooks cheating?’ We answered your questions about our 100 top novels list
  • The best recent science fiction, fantasy and horror – review roundup
  • Ruth Ozeki: ‘All my books are an attempt to recreate Charlotte’s Web’
  • The Long Drop review – Denise Mina’s whisky-soaked tale of triple murder is horribly gripping
  • The Twitnam Summer by Hester Grant review – Swift, Gay and Pope’s season in the sun
  • How to Love the World by Ilka Tampke review – a woman is trapped by a fallen tree
  • Women’s prize: Virginia Evans wins for fiction and Lyse Doucet takes award for nonfiction
  • The Artist by Lucy Steeds audiobook review – a sensory feast in Provence
  • ‘Pleasure and invigoration’: Diana Evans wins UK’s Jhalak prose prize
  • Sales of Meta whistleblower’s memoir soar after Hay festival ‘silencing’
  • Tell us: what is your favourite beach read?
  • Lovers XXX by Allie Rowbottom review – a wild journey through the 80s LA porn scene
  • Stolen Revolution by Bozorgmehr Sharafedin and Yeganeh Torbati review – Iran’s recent history explained
  • Booker prize launches new Quick Read in effort to boost adult reading rates
  • The End of Everything by M John Harrison review – near-future visions from an SF master
  • Bill Jordan obituary
  • I have found the perfect book group – we discuss problematic text messages
  • ‘I want to be other people’s cautionary tale’: how do you financially prepare for a parent’s death?
  • ‘Wear something that makes you feel silly!’ Can Austin Kleon’s tips put the spark back in my life?
  • Villa Coco by Andrew Sean Greer review – fun in the Tuscan sun
  • A British Childhood by Frank Cottrell-Boyce review – are we raising a bookless generation?
  • Ruth Artmonsky obituary

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