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Elizabeth Strout: ‘I would never ask someone to read my books!’

The Pulitzer winner on rereading Virginia Woolf, falling out of love with John Cheever, and the Pushkin story that made her cry

Small Rain by Garth Greenwell review – the lessons of pain

The author of Cleanness considers the physicality of suffering through the experiences of a poet hospitalised during Covid

The Degenerates by Raeden Richardson review – ambitious debut pulses with life and language

A young woman grapples with the limits of storytelling and language to do justice to the lives of those on society’s fringes

A Sunny Place for Shady People by Mariana Enríquez review – gothic horror with a twist

This Argentinian short story collection is at its best when it breaks from convention

Small Bomb at Dimperley by Lissa Evans review – a deeply pleasurable postwar tale

This family saga set in a country house at the end of the second world war is a warm, funny exploration of domestic life and social change

Our Evenings by Alan Hollinghurst review – his finest novel yet

Gay life in England across the decades, from the 1960s to the pandemic, is captured with glowing intensity through an actor’s memories

Marlowe’s Doctor Faustus may have been co-written by forgotten dramatist

Exclusive: Scholar names Henry Porter as likely co-author of 1604 play after linguistic clues in his surviving work

Novelist Rebecca Watson: ‘What are siblings: twisted reflections of ourselves? Allies? Enemies?’

The author of I Will Crash, about an estranged brother and sister, looks at other books on difficult sibling relationships, from authors including Sally Rooney and Julia Armfield

The Women Behind the Door by Roddy Doyle review – his best yet

In the third outing for Paula Spencer – mother, alcoholic, domestic abuse survivor – Doyle captures her strength and vulnerability in prose that radiates energy and life

A Kid from Marlboro Road by Edward Burns review – the most Irish-American novel of the year

A 12-year-old New Yorker records his childhood memories and family anecdotes in the film-maker’s vivid and tender first book

All My Precious Madness by Mark Bowles review – poignant meditation on masculinity and alienation

A working-class writer rails against the corporate world and small-mindedness in a striking debut novel written as a monologue

In brief: My Roman Year; Madwoman; Mapping the Darkness – review

A sensuous memoir by the author of Call Me by Your Name; a suspenseful tale about a mother’s trauma-haunted double life; and the science of sleep illuminatingly explored

Intermezzo by Sally Rooney review – is there a better writer at work right now?

With her fourth novel, the Normal People author leans fully into her talent, creating a funny, tender tale of two grieving brothers and their messy love lives that’s utterly perfect

Isabella Hammad: ‘I heard Edward Said speak when I was seven’

One of Granta’s best young novelists on rage, identity politics and the need for precision as well as poetry

On my radar: Yotam Ottolenghi’s cultural highlights

The chef on a novel that triumphantly captures messy London life, a Turkish Netflix drama that shows Istanbul’s split worlds and the app that gets him going in the morning

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  • Earl Spencer’s memoir claims Prince Charles said of Diana: ‘We’ll forget her soon enough’
  • Annie Dillard, Pulitzer prize-winning author of nonfiction and nature essays, dies aged 81
  • Previously unseen drawings by Moomins author Tove Jansson to go on show in London
  • Magazine from 1894 returned to New Hampshire library after over 130 years
  • Bonnie Greer, writer and cultural commentator, dies aged 77
  • Safe Spaces by Tice Cin review – a kaleidoscopic vision of precarity, music and grief
  • Redwood by Ben Macintyre review – a superbly wrought tale of cold war defection
  • Singapore pays people to pick up a book in battle against doomscrolling
  • All the Wrong Moves by Anthony Scaramucci review – confessions of an ex-Trumper
  • The Rouse by China Miéville review – a mighty achievement from the ‘new weird’ author
  • Andrew Davies admits to drawing on ‘stimulating’ Made in Chelsea for Jane Austen adaptation
  • Robin Morgan obituary
  • She’s Donald Trump’s least-favorite Fox News host. But Jessica Tarlov remains undeterred
  • Farewell to Eden by Sebastian Faulks review – conflict and compromise, from a veteran of the genre
  • End Times Fascism by Naomi Klein and Astra Taylor review – the fightback starts here
  • Frances Stonor Saunders obituary
  • Emily St John Mandel: ‘When half the electorate disagrees on basic reality, how do you come back from that?’
  • AI will transform capitalism – but how?
  • ‘I was hit by an emotional hurricane’: Esther Freud, Deborah Levy and other novelists revisit their childhood homes
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • ‘I could get laid every night of the week!’: punk icon Legs McNeil on booze, benders and dating Sinéad O’Connor
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Naomi Klein: ‘Extreme wealth has a deranging effect. It turns you into a supremacist’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story

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