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Percival Everett wins National Book Award for fiction with retelling of Huckleberry Finn

Everett’s novel, James, which focuses on Twain's enslaved character Jim, won the $10,000 prize

Author Kamel Daoud sued over claim he used life of wife’s patient in novel

Woman says French-Algerian writer’s prize-winning Houris uses her story as she told it to therapist Aicha Dehdouh

Samantha Harvey’s Booker-winning Orbital tops UK bestseller list

The short novel narrating a day in the life of six astronauts on the International Space Station becomes the first book to top the charts in the week of its win

Stay With Me by Hanne Ørstavik review – looking for love

The acclaimed Norwegian author explores the impact of childhood trauma in this portrait of a life lived in fear

The Land in Winter by Andrew Miller review – light in the darkness

Set during the Big Freeze of 1962-3, this story of two marriages brilliantly evokes the legacy of the second world war

Australian authors group give every federal politician five books to encourage nuance in Middle East debate

Exclusive: Group of more than 90 including writers Tim Winton and Charlotte Wood have paid for every federal senator and MP to receive curated package

The Guardian view on the Booker prize winner: a whole new perspective

Editorial: Samantha Harvey’s Orbital, a love letter to our wounded planet, is the perfect choice for the political moment

Juice by Tim Winton review – eloquent cry of a climate vigilante

This sci-fi tale of avengers hunting polluters in a scorched Australian dystopia serves as an essential call to arms over global heating

The Enigma Girl by Henry Porter review – an innovative spy tale

A former MI5 agent establishes herself as a heroine for the ages in a fresh thriller about intelligence-gatherers past and present

Colm Tóibín: ‘Ireland today is a much freer place’

The Irish author on how the sequel to his bestselling novel Brooklyn was inspired by the film, life in LA, and his thoughts on Trump’s victory

In brief: Nobody’s Empire; Cocktails With George and Martha; Never: The Autobiography – review

A touching coming-of-age novel from the Belle and Sebastian singer; a blow-by-blow account of a classic film; and pop star Rick Astley’s idiosyncratic life story

Richard Flanagan: ‘I’m not sure that I will write again’

The Tasmanian novelist – whose latest book, Question 7, is up for both fiction and nonfiction prizes – on HG Wells, the TV adaptation of his Booker prize winner The Narrow Road to the Deep North… and his much-missed parrot, Herb

‘She gave me the chance that became my life’: Jeanette Winterson on her first editor, Philippa Brewster

The pioneering feminist editor and publisher died in October. The Oranges Are Not the Only Fruit author looks back on the close friendship they shared

‘Uniquely qualified’: Elizabeth Jane Howard’s niece to continue her Cazalet Chronicles novels

Novelist Louisa Young will write the sixth, seventh and eighth books in a move that ‘will thrill existing readers’

Garth Greenwell: ‘I didn’t read Middlemarch until my late 30s. Why didn’t someone intervene? ’

The novelist on Virginia Woolf’s luminous prose, obsessively rereading James Baldwin and why Saint Augustine is his favourite writer

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← Older posts
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  • M John Harrison becomes first science fiction author to win the Booker prize
  • Hometown glory? Norwegian library unveils £100k history book donated by Erling Haaland
  • A one-part wonder! The West End’s streamlined Harry Potter and the Cursed Child works like magic
  • A job that changed me: As a bookseller I realised reading is more than an insular pleasure – it builds connection too
  • Two Women by Jacqueline Rose review – a memorial to Gillian Rose
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • ‘Thicky thicky dumb dumb’ satirist Cody Dahler on his viral videos: ‘my material is presented to me on a silver platter!’
  • ‘I was in a darker place than I’d ever been. ECT was my only hope’: how Ted Scheinman finally broke through his depression
  • ‘No tech, no texts, just childhood’: author Liz Pichon on the secrets behind her multi-million selling Tom Gates series
  • Russell Brand books withdrawn by UK publishers after his conviction for rape and sexual assault
  • ‘He left the world in ruins’: the author who defied the Taliban and burning tyres to tell Alexander the Great’s epic story
  • If Dune is this generation’s Star Wars, we are all in big trouble
  • I have flung myself headfirst into Sarah J Maas’s romantasy universe and I find myself a changed woman
  • The best recent poetry – review roundup
  • Nikita Gill: ‘I read Flowers in the Attic too young. Someone should have stopped me’
  • True North by Paul Theroux review – an American’s view of Canada
  • Songs from the Firefront by Tim Winton review – climate urgency verges on panic, with moments of wonder too
  • Winner of the Prix Goncourt literary prize admits to using AI
  • David Miller obituary
  • Feminism for a World on Fire by Natasha Walter audiobook review – an urgent call for collective action
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • Where to start with: John Berger
  • Was one of the great novels of the Enlightenment written by a man who thought he was a werewolf?
  • American Hagwon by Min Jin Lee review – a gloriously immersive follow-up to Pachinko
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • ‘Turner prize for dance’ winner Christos Papadopoulos: failure, friction and my forgotten youthquake
  • ‘Blockbuster’ history of Alexander the Great wins £50,000 Baillie Gifford prize
  • Alexander: God, King, Man by Edmund Richardson review – a dazzling, dizzying adventure
  • ‘He was destined for this award’: China Miéville wins Goldsmiths prize for 1,200-page novel
  • Mike Bigger obituary

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