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Femgore: why romcoms are out in women’s fiction – and cannibalism is in

Forget romance and romantasy. An explosive new genre explores the brutality and body horror women experience

In the 1600s, a Yolŋu girl was kidnapped from an Australian beach. Centuries later her story is a novel

Based on a story from pre-colonial Australia, A Piece of Red Cloth is a pioneering, ‘real collaboration’ between Aboriginal and non-Aboriginal storytellers

Empty Wigs by Jonathan Meades review – a black museum of savage stories

Encompassing eugenics, euthanasia and terrorism, this dark, sprawling novel by a man of many talents is not for the easily offended

We Do Not Part by Han Kang review – a harrowing journey into South Korea’s bloody history

The Nobel prize-winner’s strange and unsettling new novel takes its protagonist on a mission that ends up confronting terrible pre-war violence

Money to Burn by Asta Olivia Nordenhof review – fire and energy in a new septology

This intense tale of lives connected to the Scandinavian Star ferry disaster in 1990 is hardly conventional, but undoubtedly exciting

Don’t Make Me Laugh by Julia Raeside review – did you hear the one about the toxic standup?

Set in the London comedy world, this provocative and funny debut novel explores the grey areas of coercion and intimacy

Hero by Katie Buckley review – fearless study of female desire

The British author’s debut novel pulls no punches in a feminist interrogation of women as archetypes in myths and fairytales

In brief: May Our Joy Endure; The Future of the Novel; Literature for the People – review

A sharp satire set in the world of architecture; a fresh take on present-day fiction; and the rags-to-riches history of the Macmillan publishing brothers

Andrew O’Hagan: ‘A kind of Dickens and Zola energy was pulsing’

The author and journalist on ‘modern London corruption’ and his Orwell prize-shortlisted novel Caledonian Road, how he helped Jonathan Franzen and the last book he gave as a gift

Perfection by Vincenzo Latronico review – an object lesson in hollow hipsterism

An expat couple carefully curate their lives through plants and Radiohead LPs in this deliciously pessimistic chronicle of gentrifying Berlin

The Guardian view on romantasy fiction: dragons storm the bookshops

Editorial: Hit novels by Sarah J Maas and Rebecca Yarros offer more than sex and escapism. They have reclaimed the fantasy genre for women

The best science fiction, fantasy and horror – reviews roundup

Old Soul by Susan Barker; Model Home by Rivers Solomon; Mother of Serpents by John R Gordon; Symbiote by Michael Nayak; Waterblack by Alex Pheby

The Boy from the Sea by Garrett Carr review – a tale of hope in rural Ireland

A baby washes up in a barrel in this warm-hearted and surprising debut

The Naming of the Birds by Paraic O’Donnell review – Victorian gothic

The pursuers become the pursued in this tale of vulnerable children, society murders and an irascible detective

We Do Not Part by Han Kang review – a masterpiece from the Nobel laureate

One woman’s quest, told through haunting, harrowing, dreamlike imagery, bears witness to Korea’s traumatic past

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  • M John Harrison becomes first science fiction author to win the Booker prize
  • Hometown glory? Norwegian library unveils £100k history book donated by Erling Haaland
  • A one-part wonder! The West End’s streamlined Harry Potter and the Cursed Child works like magic
  • A job that changed me: As a bookseller I realised reading is more than an insular pleasure – it builds connection too
  • Two Women by Jacqueline Rose review – a memorial to Gillian Rose
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • ‘Thicky thicky dumb dumb’ satirist Cody Dahler on his viral videos: ‘my material is presented to me on a silver platter!’
  • ‘I was in a darker place than I’d ever been. ECT was my only hope’: how Ted Scheinman finally broke through his depression
  • ‘No tech, no texts, just childhood’: author Liz Pichon on the secrets behind her multi-million selling Tom Gates series
  • Russell Brand books withdrawn by UK publishers after his conviction for rape and sexual assault
  • ‘He left the world in ruins’: the author who defied the Taliban and burning tyres to tell Alexander the Great’s epic story
  • If Dune is this generation’s Star Wars, we are all in big trouble
  • I have flung myself headfirst into Sarah J Maas’s romantasy universe and I find myself a changed woman
  • The best recent poetry – review roundup
  • Nikita Gill: ‘I read Flowers in the Attic too young. Someone should have stopped me’
  • True North by Paul Theroux review – an American’s view of Canada
  • Songs from the Firefront by Tim Winton review – climate urgency verges on panic, with moments of wonder too
  • Winner of the Prix Goncourt literary prize admits to using AI
  • David Miller obituary
  • Feminism for a World on Fire by Natasha Walter audiobook review – an urgent call for collective action
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • Where to start with: John Berger
  • Was one of the great novels of the Enlightenment written by a man who thought he was a werewolf?
  • American Hagwon by Min Jin Lee review – a gloriously immersive follow-up to Pachinko
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • ‘Turner prize for dance’ winner Christos Papadopoulos: failure, friction and my forgotten youthquake
  • ‘Blockbuster’ history of Alexander the Great wins £50,000 Baillie Gifford prize
  • Alexander: God, King, Man by Edmund Richardson review – a dazzling, dizzying adventure
  • ‘He was destined for this award’: China Miéville wins Goldsmiths prize for 1,200-page novel
  • Mike Bigger obituary

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