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Dream Count by Chimamanda Ngozi Adichie review – a tale of four women

The Nigerian-American author returns with an astute and moving exploration of female experience

Deviants by Santanu Bhattacharya; The South by Tash Aw review – love under the eye of the law

Two contrasting but equally impressive Asia-set coming-of-age novels explore gay teenagers navigating their nascent sexuality against the backdrop of personal and political upheavals

In brief: My Favourite Mistake; Homeseeking; The Meteorites: Encounters With Outer Space and Deep Time – review

Marian Keyes’s engaging tale of fresh starts and old flames; a kaleidoscopic family drama spanning six decades; and an absorbing study of ancient rocks from space

Theory & Practice by Michelle de Kretser review – shame, desire and the ghost of Virginia Woolf

A vivid outback tale, an anguished 80s love triangle and real life are cleverly held in play in the Australian novelist’s inventive memoir-novel-essay hybrid

The Violet Hour by James Cahill review – soapy and satisfying art-world yarn

Artists, gallerists and collectors vie for power in a rollicking mystery that pokes fun while also examining desire and regret

Show Don’t Tell by Curtis Sittenfeld review – sharp stories about the pleasure and pain of nostalgia

In the American writer’s wry, understated second short story collection, the past comes back to jolt her largely middle-aged characters

Writer Percival Everett: ‘Deciding to write a book is like knowingly entering a bad marriage’

The American novelist on James, his Booker-shortlisted retelling of Huckleberry Finn, working with Steven Spielberg and the silliness of the Oscars

The Kings Head by Kelly Frost review – jocular story of street-fighting sisters

The journalist’s debut novel about a London girl gang of the 1950s expertly toys with gender and explores young people’s place in the world

Writer David Szalay: ‘We live in an era of short attention spans – we have to work with it the best we can’

The Hungarian-English author on addressing what it’s like to be a male body in the world, learning the tricks of literature from Frederick Forsyth, and the feeling of nearly winning the Booker

‘The essential ingredient is openness’: Curtis Sittenfeld on the deep joy of midlife friendship

Friendships become closer and more fulfilling as you get older argues the novelist, because by the time you reach middle age everyone has faced dramatic challenges, disappointments and sorrows – and being honest about them is a powerful point of bonding

Fundamentally by Nussaibah Younis review – witty debut about Islamic State brides

A young academic travels to Iraq to help a British Asian who joined IS at 15, in this rollicking account of a UN deradicalisation programme

The Knowing by Madeleine Ryan review – intriguing ‘phone-free’ premise falters in execution

The author’s sophomore novel, in which a young woman is propelled on a journey of self-discovery after accidentally leaving her mobile at home, asks interesting questions but pulls its punches

The Café With No Name by Robert Seethaler review – lost souls in postwar Vienna

A slice-of-life portrait of a community suffering the after-effects of the second world war

Beartooth by Callan Wink review – an expansive drama of survival

Family relationships are explored in this finely executed tale of two brothers drawn into bear poaching in rural Montana

Death of the Author by Nnedi Okorafor review – an SF master moves into the mainstream

This book within a book weaves a writer’s struggles with scenes from their Africanfuturist tale of post-apocalyptic robots

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  • Earl Spencer’s memoir claims Prince Charles said of Diana: ‘We’ll forget her soon enough’
  • Annie Dillard, Pulitzer prize-winning author of nonfiction and nature essays, dies aged 81
  • Previously unseen drawings by Moomins author Tove Jansson to go on show in London
  • Magazine from 1894 returned to New Hampshire library after over 130 years
  • Bonnie Greer, writer and cultural commentator, dies aged 77
  • Safe Spaces by Tice Cin review – a kaleidoscopic vision of precarity, music and grief
  • Redwood by Ben Macintyre review – a superbly wrought tale of cold war defection
  • Singapore pays people to pick up a book in battle against doomscrolling
  • All the Wrong Moves by Anthony Scaramucci review – confessions of an ex-Trumper
  • The Rouse by China Miéville review – a mighty achievement from the ‘new weird’ author
  • Andrew Davies admits to drawing on ‘stimulating’ Made in Chelsea for Jane Austen adaptation
  • Robin Morgan obituary
  • She’s Donald Trump’s least-favorite Fox News host. But Jessica Tarlov remains undeterred
  • Farewell to Eden by Sebastian Faulks review – conflict and compromise, from a veteran of the genre
  • End Times Fascism by Naomi Klein and Astra Taylor review – the fightback starts here
  • Frances Stonor Saunders obituary
  • Emily St John Mandel: ‘When half the electorate disagrees on basic reality, how do you come back from that?’
  • AI will transform capitalism – but how?
  • ‘I was hit by an emotional hurricane’: Esther Freud, Deborah Levy and other novelists revisit their childhood homes
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • ‘I could get laid every night of the week!’: punk icon Legs McNeil on booze, benders and dating Sinéad O’Connor
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Naomi Klein: ‘Extreme wealth has a deranging effect. It turns you into a supremacist’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story

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