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Madame Sosostris & the Festival for the Broken-Hearted by Ben Okri review – a slender fable

The magical healing power of a masked costume ball hangs in the balance in this whimsical tale of transformation

Universality by Natasha Brown review – clever satire of identity politics

Slyly investigating language and bias in media culture, this follow-up to Assembly confirms Brown as one of the most intelligent voices writing today

Torrey Peters on life after a hit novel: ‘It had a very chilling effect on my writing’

Author of Detransition, Baby found success and pushback she never anticipated and now returns with a provocative collection of stories

Once the Deed Is Done by Rachel Seiffert review – mystery in the aftermath of the Third Reich

This fine novel investigates the fate of displaced people in the hazardous, dirty backwash of the second world war

The trauma plot: how did culture get addicted to tragic backstories?

Again and again, audiences have been spoon-fed the same story: a character can only be explained by a past trauma, tantalisingly revealed in the last episode. Has the trope reached a tipping point?

The Rest of Our Lives by Ben Markovits review – a triumphant twist on the great American road novel

Fleeing a failing marriage and culture war battles, a man drives away from the wreckage of his past

Carrion Crow by Heather Parry review – a stomach-clenching contender for awards

A woman is confined to the attic by her mother in a thrillingly told novel that revels in squalor

Long live Joyce Carol Oates’ Twitter account: the only pure space left on this hell site

The 86-year-old author’s social feed might be her greatest contribution to literature – with philosophical musings on everything from US politics to an infected foot

The Mouthless Dead by Anthony Quinn review – murder most unsolvable

The author’s haunting and highly readable fictionalisation of a high-profile killing in prewar Liverpool is rich in legal and procedural detail

A Room Above a Shop by Anthony Shapland review – a striking story of concealed love

This unforgettable tale of two men in late-80s Wales deals with the emotions and repercussions of their intimacy – and is one of the best debut novels in years

The Grapevine by Kate Kemp review – slaughter in surburbia

In a quiet Australian backwater an unravelling cast of women make claustrophobic crime fiction out of a close-knit community

In brief: Take Care; Tilt; Lightborne – review

A rousing memoir by the wife and carer of rugby player Rob Burrow; a tender earthquake survival tale; and a queer fictionalisation of Christopher Marlowe’s remarkable life

Xiaolu Guo: ‘Write less, in order to write stronger’

The author and film-maker on why she was inspired to reimagine Moby-Dick in her new novel, her love of Coleridge and returning to the ‘addictive power of fiction’

‘AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth

On the 20th anniversary of Never Let Me Go, the Nobel prize-winning novelist talks about the role of the author in a post-truth world – and why he’s ‘not a great writer of prose’

‘The definition of a classic’: Kazuo Ishiguro’s Never Let Me Go at 20

A Booker-winning author, a Nobel prize-winning scientist and the directors of the film and stage adaptations on why Ishiguro’s dystopian tale still speaks to us today

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  • Earl Spencer’s memoir claims Prince Charles said of Diana: ‘We’ll forget her soon enough’
  • Annie Dillard, Pulitzer prize-winning author of nonfiction and nature essays, dies aged 81
  • Previously unseen drawings by Moomins author Tove Jansson to go on show in London
  • Magazine from 1894 returned to New Hampshire library after over 130 years
  • Bonnie Greer, writer and cultural commentator, dies aged 77
  • Safe Spaces by Tice Cin review – a kaleidoscopic vision of precarity, music and grief
  • Redwood by Ben Macintyre review – a superbly wrought tale of cold war defection
  • Singapore pays people to pick up a book in battle against doomscrolling
  • All the Wrong Moves by Anthony Scaramucci review – confessions of an ex-Trumper
  • The Rouse by China Miéville review – a mighty achievement from the ‘new weird’ author
  • Andrew Davies admits to drawing on ‘stimulating’ Made in Chelsea for Jane Austen adaptation
  • Robin Morgan obituary
  • She’s Donald Trump’s least-favorite Fox News host. But Jessica Tarlov remains undeterred
  • Farewell to Eden by Sebastian Faulks review – conflict and compromise, from a veteran of the genre
  • End Times Fascism by Naomi Klein and Astra Taylor review – the fightback starts here
  • Frances Stonor Saunders obituary
  • Emily St John Mandel: ‘When half the electorate disagrees on basic reality, how do you come back from that?’
  • AI will transform capitalism – but how?
  • ‘I was hit by an emotional hurricane’: Esther Freud, Deborah Levy and other novelists revisit their childhood homes
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • ‘I could get laid every night of the week!’: punk icon Legs McNeil on booze, benders and dating Sinéad O’Connor
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Naomi Klein: ‘Extreme wealth has a deranging effect. It turns you into a supremacist’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story

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