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The Dream Hotel by Laila Lalami review – what if AI could read our minds?

Longlisted for the Women’s prize, this powerful dystopian novel imagines people jailed for their potential to commit crimes

Raw Content by Naomi Booth review – those difficult newborn days

This emotionally astute novel describes a woman’s descent into psychological distress, but some of its ideas remain embryonic

Flannery O’Connor at 100: should we still read her?

She died before she was 40, leaving behind a body of blazingly original short fiction set in America’s segregated south. But her reputation has been tarnished by accusations of racism

In brief: 33 Place Brugmann; The Decline and Fall of the Human Empire; A History of the World in 47 Borders – review

Residents of a Brussels apartment block contend with Nazi occupation; the existential threats to humanity explored; and a lively study of national and political boundaries

On the Clock by Claire Baglin review – a fast food novel for a refined palate

Tensions sizzle alongside burgers in the hazy timelines and brisk prose of the French writer’s disorienting debut

I Hope You’re Happy by Marni Appleton review – a darkly comic look at millennial womanhood

Eleven short stories tackle mother-daughter relationships and the curse of social media with insight and humour

From The Simpsons to Werner Herzog: the coolest, craziest, scariest Nessies ever

Loch Ness Monster hunters have included the Chuckle Brothers – and even David Lean. As the Scottish icon is honoured in a new stamp and a stirring musical, we separate the classy from the crackpot

Universality by Natasha Brown review – a fabulous fable about the politics of storytelling

A terrific second novel from the British author of Assembly examines what it means to be truthful – and who really benefits when facts come to light

The Paris Express by Emma Donoghue review – countdown to disaster

A train on a fateful trajectory is the location for a zippy Agatha Christie-like thriller giving a taste of life in fin-de-siècle France

The Guardian view on climate fiction: no longer the stuff of sci-fi

A new prize recognises the power of storytelling to address the biggest issue of our time

Stag Dance by Torrey Peters review – genre games and gender mischief

The follow-up to Detransition, Baby is a collection of short works ranging from dystopia to romance that delight in complicating identity politics

The Clinking by Susie Greenhill review – a stunning, devastating debut

The Richell Prize-winner’s novel, set in a near-future lutruwita/Tasmania, asks what does it mean to have hope in the face of climate crisis?

I Want to Go Home But I’m Already There by Róisín Lanigan review – a housing crisis ghost story

London’s property market is the villain in this wry gothic novel for generation rent

Debut picture book author wins $125,000 for autobiographical ‘visual feast’

Nukgal Wurra author and artist Wanda Gibson became the first person to win the Victorian premier’s literary award in both the children’s and overall categories for her book Three Dresses

Theft by Abdulrazak Gurnah review – love and betrayal from the Nobel laureate

This is a powerful story of debt and obligation set against the tourism boom in post-colonial Tanzania

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  • Safe Spaces by Tice Cin review – a kaleidoscopic vision of precarity, music and grief
  • Redwood by Ben Macintyre review – a superbly wrought tale of cold war defection
  • Singapore pays people to pick up a book in battle against doomscrolling
  • All the Wrong Moves by Anthony Scaramucci review – confessions of an ex-Trumper
  • The Rouse by China Miéville review – a mighty achievement from the ‘new weird’ author
  • Andrew Davies admits to drawing on ‘stimulating’ Made in Chelsea for Jane Austen adaptation
  • Robin Morgan obituary
  • She’s Donald Trump’s least-favorite Fox News host. But Jessica Tarlov remains undeterred
  • Farewell to Eden by Sebastian Faulks review – conflict and compromise, from a veteran of the genre
  • End Times Fascism by Naomi Klein and Astra Taylor review – the fightback starts here
  • Frances Stonor Saunders obituary
  • Emily St John Mandel: ‘When half the electorate disagrees on basic reality, how do you come back from that?’
  • AI will transform capitalism – but how?
  • ‘I was hit by an emotional hurricane’: Esther Freud, Deborah Levy and other novelists revisit their childhood homes
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • ‘I could get laid every night of the week!’: punk icon Legs McNeil on booze, benders and dating Sinéad O’Connor
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story
  • Gone Guru by Nadine Browne review – a clever and funny metafictional caper
  • Why all our children deserve the sanctuary of a school library no matter where in Australia they live
  • The Eleventh Hour by Salman Rushdie audiobook review – stories with levity and laughter
  • Prime Minister’s Literary awards 2026: ‘profound’ novel based on Yolngu oral history wins $80,000
  • Péter Nádas obituary
  • ‘We felt someone was watching us’: author Rozina Ali on the untold story of Islamophobia in the US

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