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The big idea: will sci-fi end up destroying the world?

Skewed interpretations of classic works are feeding the dark visions of tech moguls, from Musk to Thiel

Audition by Katie Kitamura review – an evasive experiment

This tricksy novel from the author of A Separation takes its cue from Rachel Cusk’s Outline trilogy – but what starts as intrigue soon starts to feel like time-wasting

Mario Vargas Llosa, giant of Latin American literature, dies aged 89

Nobel laureate, a star of the international boom in Latin American literature, also once ran for president in Peru

Nova Scotia House by Charlie Porter review – a headlong rush through the turbulent Aids era

Porter’s urgent prose propels the reader into the gay scene of the 1980s and early 90s as his protagonist’s life is torn apart by the HIV crisis

Greater Sins by Gabrielle Griffiths review – a dark discovery upturns a Scottish village

The unearthing of a woman’s body in a peat bog during the first world war is the catalyst for a gritty tale of secrets, guilt and desire

In brief: Uncommon Ground; The Pretender; All That Glitters – reviews

Patrick Galbraith debunks the cliches of country life; Jo Harkin’s auspicious debut brings the wars of the roses to life; and Orlando Whitfield’s impressive memoir illuminates his friendship with a fraudster

Kaliane Bradley: ‘I dreaded the book going to people I know’

The author of bestseller The Ministry of Time on how lockdown telly, Terry Pratchett and her Cambodian heritage shaped her Arctic time travel tale

Name by Constance Debré review – a demolition of bourgeois life

The French author takes aim at marriage, childhood and her illustrious family name in the finale of a landmark autofictional trilogy

‘You must read my diaries’: unlocking the private life of Edna O’Brien

Towards the end of her life, the groundbreaking Irish novelist granted film-maker Sinéad O’Shea access to her most personal writing. What she revealed was shocking and inspiring

The best science fiction, fantasy and horror – reviews roundup

Sleeper Beach by Nick Harkaway; Some Body Like Me by Lucy Lapinska; City of All Seasons by Oliver K Langmead & Aliya Whiteley; Rose/House by Arkady Martine; The Cat Bride by Charlotte Tierney

Idle Grounds by Krystelle Bamford review – wild trouble in a child’s world

An unsettlingly funny debut explores memories of a perilous birthday party, with dark echoes of Grimms’ fairytales and gothic fiction

Eden’s Shore by Oisín Fagan review – hilarious, beautiful and very violent

A hapless young idealist sets sail for utopia, in this wild epic of colonial chaos in the late 18th-century Americas

Thomas Pynchon announces Shadow Ticket, his first novel in more than a decade

The elusive 87-year-old author’s new book is a noir caper set during the big band era following a detective in search of a cheese heiress

The Best of Everything by Kit de Waal review – the power of kindness

Love and loss combine in this tender tale of how a mourning Caribbean mother cares for others

‘Mind-expanding books’: International Booker prize shortlist announced

From Muslim Indian women’s lives to a Danish time looper, all six contenders for the £50,000 prize are from independent presses, as translator Sophie Hughes earns an unprecedented third nomination

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  • Redwood by Ben Macintyre review – a superbly wrought tale of cold war defection
  • Singapore pays people to pick up a book in battle against doomscrolling
  • All the Wrong Moves by Anthony Scaramucci review – confessions of an ex-Trumper
  • The Rouse by China Miéville review – a mighty achievement from the ‘new weird’ author
  • Andrew Davies admits to drawing on ‘stimulating’ Made in Chelsea for Jane Austen adaptation
  • Robin Morgan obituary
  • She’s Donald Trump’s least-favorite Fox News host. But Jessica Tarlov remains undeterred
  • Farewell to Eden by Sebastian Faulks review – conflict and compromise, from a veteran of the genre
  • End Times Fascism by Naomi Klein and Astra Taylor review – the fightback starts here
  • Frances Stonor Saunders obituary
  • Emily St John Mandel: ‘When half the electorate disagrees on basic reality, how do you come back from that?’
  • AI will transform capitalism – but how?
  • ‘I was hit by an emotional hurricane’: Esther Freud, Deborah Levy and other novelists revisit their childhood homes
  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • ‘I could get laid every night of the week!’: punk icon Legs McNeil on booze, benders and dating Sinéad O’Connor
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story
  • Gone Guru by Nadine Browne review – a clever and funny metafictional caper
  • Why all our children deserve the sanctuary of a school library no matter where in Australia they live
  • The Eleventh Hour by Salman Rushdie audiobook review – stories with levity and laughter
  • Prime Minister’s Literary awards 2026: ‘profound’ novel based on Yolngu oral history wins $80,000
  • Péter Nádas obituary
  • ‘We felt someone was watching us’: author Rozina Ali on the untold story of Islamophobia in the US
  • Jane Eyre: A Musical review – more Disney romance than Victorian gothic

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