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Five of the best translated fiction of 2025

The return of Nobel laureate Han Kang; film-making under the Nazis; stuck in a time loop; Scandinavian thrills; and essential stories from postwar Iraq

‘I took literary revenge against the people who stole my youth’: Romanian author Mircea Cărtărescu

As the first part of his acclaimed Blinding trilogy is released in the UK, the novelist talks about communism, Vladimir Nabokov – and those Nobel rumours

The best recent translated fiction – review roundup

The Ferryman and His Wife by Frode Grytten; Woman in the Pillory by Brigitte Reimann; Iran+100, edited by various; Sea Now by Eva Meijer

Bog People: A Working-Class Anthology of Folk Horror review – dark tales with a sting

This collection of macabre stories set across England explores class, hierarchy and the enduring nature of inequality

A Particularly Nasty Case by Adam Kay audiobook review – a wayward doctor turns detective

Andy Serkis revels in his narration of the first murder mystery from the author of This Is Going to Hurt, which showcases Kay’s signature pitch-black humour

The Hitchhiker’s Guide to the Galaxy review – flimsy extravaganza needs deeper thought

The madcap sci-fi tale is retold on a lavish scale, complete with in-show merch, but it never really blasts off

The Matchbox Girl by Alice Jolly review – horror, humanity and Dr Asperger

The reader grapples with fascism and complicity through the eyes of a mute autistic girl being treated during the second world war

£15,000 prize launched for writers from refugee and migrant backgrounds

The Footnote x Counterpoints prize is intended to uncover new literary voices whose work reflects the experiences of migration

The Artist by Lucy Steeds wins Waterstones book of the year

The debut novel took the top prize while The Café at the Edge of the Woods by Mikey Please was named children’s book of the year

Service by John Tottenham review – comic confessions of a grumpy bookseller

Working in a bookshop while failing to write a novel, the narrator admits to being a ‘living cliche’ in this bitter black comedy

The School of Night by Karl Ove Knausgård review – can this sprawling epic deliver on its promise?

In the fourth volume of the occult Morning Star cycle, a Faustian pact haunts a misanthropic artist who finds miraculous success

‘He was just trying to earn a few kopecks’: how newly translated stories reveal Chekhov’s silly side

With daft jokes and experimental wordplay, the first comprehensive translations of his lesser-known stories show Anton Chekhov in a new light

‘I knew I was doing something I shouldn’t’: Karl Ove Knausgård on the fallout from My Struggle and the dark side of ambition

The Norwegian author on his autofictional epic, moving to London, and the psychopath at the heart of his new novel

Sophie Hannah: ‘I gave up on Wuthering Heights three times’

The crime writer on actor Frances Farmer’s life-changing story of survival, her favourite self help and discovering Agatha Christie’s alter ego

Liars by Sarah Manguso audiobook review – livid tale of marriage gone awry

Rebecca Lowman narrates a superb, claustrophobia-inducing plunge into a relationship descending from bad to worse

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  • Ruth Brook-Klauber obituary
  • ‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster
  • From puregatory to lifehoarding – how best to describe our strange, anxious times?
  • The Rhyl Poster by Tom McCarthy review – is this avant-garde spy drama worth the riddles?
  • Pay Attention by Laura Kuenssberg review – a BBC reporter’s howl of frustration
  • Alex Garland’s Elden Ring adaptation is on course to be Hollywood’s goriest ever fantasy movie
  • Love the C word? You might be Australian. Hate it? You might be American
  • Like many authors, I’m bombarded by scam fan mail. I wasn’t prepared for what would happen when I wrote back
  • Unseen Harry Houdini writing published on 100th anniversary of his death
  • What we’re reading: Ian Rankin, Louise Kennedy and Guardian readers on the books they enjoyed in October
  • ‘Being hated is very bracing’: Helen Garner on surviving three marriages and being called a ‘rotten feminist’
  • Nigel’s ‘chiselled cheekbones’ make the news – Reform’s the Reformer, digested by John Crace
  • The Guardian view on 50 years of The Selfish Gene: flawed, outdated, yet still a model of truly popular science writing
  • I wrote a book about death. Here’s what people really think about dying
  • The best recent translated fiction – review roundup
  • Philippa Gregory: ‘I read 100 of the 18th century’s most popular novels – the perfect author’s apprenticeship’
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Ike Ong obituary
  • Sarah Howe wins Forward poetry prize for best collection
  • Bram Stoker’s Dracula audiobook review – cinematic horror with an A-list cast
  • Hometown by Shaun Tan review – another masterpiece from the acclaimed author-illustrator
  • If British Library reading rooms become ‘co-working spaces’, what, exactly, is a national library for?
  • Are You With Me Now? by Hanif Kureishi review – a novelist unleashed
  • Liz Truss has brought our divided nation together – in mockery of her
  • ‘We sold out tickets within 13 minutes’: new novel from romantasy author Sarah J Maas sparks fan mania
  • Two years on from our first newsletter … how has the Long Wave evolved?
  • Walter Koenig obituary
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • ‘There is no inevitable dystopia’: Jeanette Winterson on AI and the future of humanity
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert

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