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Theory & Practice by Michelle de Kretser review – shame, desire and the ghost of Virginia Woolf

A vivid outback tale, an anguished 80s love triangle and real life are cleverly held in play in the Australian novelist’s inventive memoir-novel-essay hybrid

The Violet Hour by James Cahill review – soapy and satisfying art-world yarn

Artists, gallerists and collectors vie for power in a rollicking mystery that pokes fun while also examining desire and regret

Show Don’t Tell by Curtis Sittenfeld review – sharp stories about the pleasure and pain of nostalgia

In the American writer’s wry, understated second short story collection, the past comes back to jolt her largely middle-aged characters

Writer Percival Everett: ‘Deciding to write a book is like knowingly entering a bad marriage’

The American novelist on James, his Booker-shortlisted retelling of Huckleberry Finn, working with Steven Spielberg and the silliness of the Oscars

The Kings Head by Kelly Frost review – jocular story of street-fighting sisters

The journalist’s debut novel about a London girl gang of the 1950s expertly toys with gender and explores young people’s place in the world

Writer David Szalay: ‘We live in an era of short attention spans – we have to work with it the best we can’

The Hungarian-English author on addressing what it’s like to be a male body in the world, learning the tricks of literature from Frederick Forsyth, and the feeling of nearly winning the Booker

‘The essential ingredient is openness’: Curtis Sittenfeld on the deep joy of midlife friendship

Friendships become closer and more fulfilling as you get older argues the novelist, because by the time you reach middle age everyone has faced dramatic challenges, disappointments and sorrows – and being honest about them is a powerful point of bonding

Fundamentally by Nussaibah Younis review – witty debut about Islamic State brides

A young academic travels to Iraq to help a British Asian who joined IS at 15, in this rollicking account of a UN deradicalisation programme

The Knowing by Madeleine Ryan review – intriguing ‘phone-free’ premise falters in execution

The author’s sophomore novel, in which a young woman is propelled on a journey of self-discovery after accidentally leaving her mobile at home, asks interesting questions but pulls its punches

The Café With No Name by Robert Seethaler review – lost souls in postwar Vienna

A slice-of-life portrait of a community suffering the after-effects of the second world war

Beartooth by Callan Wink review – an expansive drama of survival

Family relationships are explored in this finely executed tale of two brothers drawn into bear poaching in rural Montana

Death of the Author by Nnedi Okorafor review – an SF master moves into the mainstream

This book within a book weaves a writer’s struggles with scenes from their Africanfuturist tale of post-apocalyptic robots

The Violet Hour by James Cahill review – art, secrets and lies

The Tiepolo Blue author’s impressive second novel is an enthrallingly intricate portrait of the art world

Crime and thrillers of the month – review

The scorned woman thriller deftly reimagined, preposterously gripping murders at an ice skating training camp - and a frantic search for a missing daughter

Nesting by Roisín O’Donnell review – a dread-stoking domestic abuse drama

O’Donnell brings the spare intensity of her award-winning short stories to her first novel, a compulsive tale of one woman’s escape intensified by Dublin’s housing crisis

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  • Detection firm finds 82% of herbal remedy books on Amazon ‘likely written’ by AI
  • Iris Murdoch’s poems on bisexuality to be published – read one exclusively here
  • Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher
  • Midnight Timetable by Bora Chung review – sinister stories from the graveyard shift
  • The Revolutionists by Jason Burke review – from hijackings to holy war
  • ‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
  • I Deliver Parcels in Beijing by Hu Anyan review – startling stories of China’s new precarity
  • The Land of Sweet Forever by Harper Lee review – newly discovered stories from an American great
  • Beasts of the Sea: the tragic story of how the ‘gentle, lovable’ sea cow became the perfect victim
  • A 3,200km tour of Australian libraries taught me just how vital they are
  • Prince Andrew tried to hire ‘internet trolls’ to hassle Virginia Giuffre, book claims
  • Photographer Coreen Simpson’s illustrious career capturing Toni Morrison and Muhammad Ali: ‘I’ve never gotten bored’
  • Mirosław Chojecki obituary
  • ‘Every kind of creative discipline is in danger’: Lincoln Lawyer author on the dangers of AI
  • 100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
  • Poem of the week: On the Death of Dr Robert Levet by Samuel Johnson
  • Nobody’s Girl by Virginia Roberts Giuffre review – a devastating exposé of power, corruption and abuse
  • BBC reporters cannot wear Black Lives Matter T-shirts in newsroom, says Tim Davie
  • Jesus Christ Kinski by Benjamin Myers review – a trip inside the frazzled mind of Klaus Kinski
  • The Uncool by Cameron Crowe review – inside rock’s wildest decade
  • The Beijing courier who went viral: how Hu Anyan wrote about delivering parcels – and became a bestseller
  • Should we treat environmental crime more like murder?
  • Lily King: ‘What is life without love?’
  • ‘Disorder, fright and confusion’: looking back at the devastating Wall Street crash of 1929
  • Spare us from romcom Austen. Give me the dark side of 19th-century life any day
  • ‘Indecency has become a new hallmark’: writer and historian Jelani Cobb on race in Donald Trump’s America
  • The platform exposing exactly how much copyrighted art is used by AI tools
  • ‘We don’t celebrate Black creativity enough’: why the Black British book festival is bigger than ever
  • A prophetic 1934 novel has found a surprising second life – it holds lessons for us all
  • Critical thinking is one of the most important aspects of being human, according to Stoicism. So why are we handing it over to a machine?

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