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Once the Deed Is Done by Rachel Seiffert review – mystery in the aftermath of the Third Reich

This fine novel investigates the fate of displaced people in the hazardous, dirty backwash of the second world war

The trauma plot: how did culture get addicted to tragic backstories?

Again and again, audiences have been spoon-fed the same story: a character can only be explained by a past trauma, tantalisingly revealed in the last episode. Has the trope reached a tipping point?

The Rest of Our Lives by Ben Markovits review – a triumphant twist on the great American road novel

Fleeing a failing marriage and culture war battles, a man drives away from the wreckage of his past

Carrion Crow by Heather Parry review – a stomach-clenching contender for awards

A woman is confined to the attic by her mother in a thrillingly told novel that revels in squalor

Long live Joyce Carol Oates’ Twitter account: the only pure space left on this hell site

The 86-year-old author’s social feed might be her greatest contribution to literature – with philosophical musings on everything from US politics to an infected foot

The Mouthless Dead by Anthony Quinn review – murder most unsolvable

The author’s haunting and highly readable fictionalisation of a high-profile killing in prewar Liverpool is rich in legal and procedural detail

A Room Above a Shop by Anthony Shapland review – a striking story of concealed love

This unforgettable tale of two men in late-80s Wales deals with the emotions and repercussions of their intimacy – and is one of the best debut novels in years

The Grapevine by Kate Kemp review – slaughter in surburbia

In a quiet Australian backwater an unravelling cast of women make claustrophobic crime fiction out of a close-knit community

In brief: Take Care; Tilt; Lightborne – review

A rousing memoir by the wife and carer of rugby player Rob Burrow; a tender earthquake survival tale; and a queer fictionalisation of Christopher Marlowe’s remarkable life

Xiaolu Guo: ‘Write less, in order to write stronger’

The author and film-maker on why she was inspired to reimagine Moby-Dick in her new novel, her love of Coleridge and returning to the ‘addictive power of fiction’

‘AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth

On the 20th anniversary of Never Let Me Go, the Nobel prize-winning novelist talks about the role of the author in a post-truth world – and why he’s ‘not a great writer of prose’

‘The definition of a classic’: Kazuo Ishiguro’s Never Let Me Go at 20

A Booker-winning author, a Nobel prize-winning scientist and the directors of the film and stage adaptations on why Ishiguro’s dystopian tale still speaks to us today

‘What’s wrong with us?’ : Novelist Virginia Feito on our morbid obsession with true crime

Her debut, Mrs March, is being adapted by Elisabeth Moss, and her new novel has already been snapped up for the screen. Virginia Feito reveals the real-life inspiration for her shocking story of a psychopathic Victorian nanny

Twist by Colum McCann review – globalism and a voyage into danger

A free-diving engineer repairs the undersea cables that carry data around our hyperconnected planet, in this intense maritime story with echoes of Heart of Darkness

‘I’m like the TV Lorraine – just more sweary’: at home with the queen of the small screen

She’s the chatty daytime presenter with a nice line in withering putdowns. But as a judge once ruled, that’s just a role she performs. So who is the real Lorraine Kelly?

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  • Detection firm finds 82% of herbal remedy books on Amazon ‘likely written’ by AI
  • Iris Murdoch’s poems on bisexuality to be published – read one exclusively here
  • Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher
  • Midnight Timetable by Bora Chung review – sinister stories from the graveyard shift
  • The Revolutionists by Jason Burke review – from hijackings to holy war
  • ‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
  • I Deliver Parcels in Beijing by Hu Anyan review – startling stories of China’s new precarity
  • The Land of Sweet Forever by Harper Lee review – newly discovered stories from an American great
  • Beasts of the Sea: the tragic story of how the ‘gentle, lovable’ sea cow became the perfect victim
  • A 3,200km tour of Australian libraries taught me just how vital they are
  • Prince Andrew tried to hire ‘internet trolls’ to hassle Virginia Giuffre, book claims
  • Photographer Coreen Simpson’s illustrious career capturing Toni Morrison and Muhammad Ali: ‘I’ve never gotten bored’
  • Mirosław Chojecki obituary
  • ‘Every kind of creative discipline is in danger’: Lincoln Lawyer author on the dangers of AI
  • 100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
  • Poem of the week: On the Death of Dr Robert Levet by Samuel Johnson
  • Nobody’s Girl by Virginia Roberts Giuffre review – a devastating exposé of power, corruption and abuse
  • BBC reporters cannot wear Black Lives Matter T-shirts in newsroom, says Tim Davie
  • Jesus Christ Kinski by Benjamin Myers review – a trip inside the frazzled mind of Klaus Kinski
  • The Uncool by Cameron Crowe review – inside rock’s wildest decade
  • The Beijing courier who went viral: how Hu Anyan wrote about delivering parcels – and became a bestseller
  • Should we treat environmental crime more like murder?
  • Lily King: ‘What is life without love?’
  • ‘Disorder, fright and confusion’: looking back at the devastating Wall Street crash of 1929
  • Spare us from romcom Austen. Give me the dark side of 19th-century life any day
  • ‘Indecency has become a new hallmark’: writer and historian Jelani Cobb on race in Donald Trump’s America
  • The platform exposing exactly how much copyrighted art is used by AI tools
  • ‘We don’t celebrate Black creativity enough’: why the Black British book festival is bigger than ever
  • A prophetic 1934 novel has found a surprising second life – it holds lessons for us all
  • Critical thinking is one of the most important aspects of being human, according to Stoicism. So why are we handing it over to a machine?

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