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Miles Allinson on writing about cults: ‘People really balk about discussions of spirituality’

The Melbourne author’s second novel, In Moonland, taps into the mysteries that haunt us

In brief: The Man Who Died Twice; Aesop’s Animals; Breathtaking – reviews

Richard Osman’s second novel doesn’t disappoint. Plus, the science behind Aesop’s fables and on the Covid frontline with Dr Rachel Clarke

An Island by Karen Jennings review – stranger on the shore

Longlisted for the Booker prize, Jennings’s tale of a lighthouse keeper and an uninvited guest grapples with colonialism and the plight of refugees

The Making of Incarnation by Tom McCarthy review – all work and no play

Time-and-motion studies meets motion-capture acrobatics in a hi-tech saga that’s big on detail but devoid of insight

Ferdinand Mount: ‘You couldn’t not be frightened of Margaret Thatcher!’

The literary editor and novelist on his timely novel exploring the dark arts of the political class

Lauren Groff: ‘I often get very lonely because my job is very lonely’

The author of Fates and Furies on being endorsed by Barack Obama, the climate crisis and discovering medieval humour for a new novel about 12th-century poet Marie de France

Susanna Clarke: ‘I’d really ceased to think of myself as a writer’

The author on how the celebration of solitude in her Women’s prize-winning new novel, Piranesi, grew from her experience of a long illness

Freight Dogs by Giles Foden review – surviving Africa’s world war

A teenager’s life is shattered by conflict in this ambitious novel tethered to real-life events

The best recent fantasy, horror and science fiction – review roundup

Dare to Know by James Kennedy; Certain Dark Things by Silvia Moreno-Garcia; The Black Locomotive by Rian Hughes; Five Minds by Guy Morpuss; and AI 2041: Ten Visions for our Future by Kai-Fu Lee and Chen Qiufan

Why translators should be named on book covers

Publishers avoid highlighting the people who choose every word of the books they bring to English readers. This lack of transparency is misguided and unfair

The Liquid Land review – a memorable Austrian allegory

A town is being sucked down a vast hole in Raphaela Edelbauer’s subtle, whimsical debut about historical memory

Matrix by Lauren Groff review – a brilliant nun’s tale

Visionary leader, queer lover, 12th-century writer … the life of Marie de France is triumphantly reimagined in an assertively modern novel about female ambition and creativity

From Boudicca to modern Britain: the dream of island utopias, ruled by women

Once the British Isles were seen as a stronghold of female leadership. Patriarchal culture pushed these stories to the geographical margins – yet they live on, a force too potent to ignore

Susanna Clarke’s Piranesi is a triumphantly unusual Women’s prize winner

Taking on uncanny relevance this year, this austere story of one man’s isolation explores profound questions of freedom

Women’s prize for fiction goes to Susanna Clarke’s ‘mind-bending’ Piranesi

Clarke’s follow-up to Jonathan Strange & Mr Norrell was praised by judges as ‘a truly original, unexpected flight of fancy’

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← Older posts
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  • Is AI the greatest art heist in history?
  • From Peepo! to Middlemarch: 25 books to read before you turn 25
  • ‘I got everything I dreamed of – when I had no ability to handle it’: Lena Dunham on toxic fame, broken friendships and her ‘lost decade’
  • The Guardian view on dystopias for our times: the American nightmare
  • Brian Rotman obituary
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • The best recent science fiction, fantasy and horror – review roundup
  • Go Gentle by Maria Semple review – a joyfully clever New York romcom
  • Circle of Wonders by Kathryn Heyman review – solace and healing in an acid-etched portrait of a dysfunctional family
  • Helen DeWitt turns down $175k Windham-Campbell prize over promotional requirements
  • Overnight by Dan Richards audiobook review – an immersive journey into the night worker’s world
  • The Housemaid author Freida McFadden reveals her true identity
  • Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup
  • The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change
  • You Are the Führer’s Unrequited Love by Jean-Noël Orengo review – Hitler, Speer and beyond
  • British novelist Gwendoline Riley wins $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure

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