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The best recent science fiction, fantasy and horror – reviews roundup

Far From the Light of Heaven by Tade Thompson; The Cabinet by Un-su Kim; Femlandia by Christina Dalcher; When Things Get Dark edited by Ellen Datlow; The Workshop of Filthy Creation by Richard Gadz

Mary Beard: ‘Virgil was a radical rap artist of the first century BC’

The classics professor and author on being inspired by Mary Douglas and terrified by Beatrix Potter

Burntcoat by Sarah Hall review – love under lockdown

A sculptor considers the meaning of art, sex and disaster, in this masterfully achieved miniature epic set against a deadly virus

The Legend of Sleepy Hollow review – butchered plotting, bloodless horror

A scrambled script and an over-reliance on dry ice leave this version of Sleepy Hollow tired and empty

Wild Abandon by Emily Bitto – a thrilling, irreverent take on the great American road trip

Like the Great Gatsby – but less romantic and more woke – Wild Abandon follows a lonely outsider finding his place in a late-capitalism world

The Making of Incarnation by Tom McCarthy review – tech-industrial sublime

This densely woven novel of cyclegraphs, MI6 agents, special effects and cybernetics is implacable and intermittently tedious, but then isn’t the world, too?

‘I just wanted to write something funny for my friends’: Torrey Peters on Detransition, Baby

Her novel caused a storm when it was longlisted for the Women’s prize, and is one of the most talked-about of the year. She talks to a writer and trans dad about LGBTQ+ families and the ‘Sex and the City problem’

‘Bad art friend’: should fiction writers ever lift stories from other people’s lives?

Great writers have always been inspired by friends and lovers, but a viral article has revived the moral arguments around muses. In the age of the internet, does using someone else’s story feel like a violation?

The Book of Form & Emptiness by Ruth Ozeki review – a Zen chorus

Every object speaks in this tale of a boy coming to terms with loss, which investigates the real and illusory with calm good humour

Breakfast at Tiffany’s at 60: the sharp romcom that grows darker with age

Audrey Hepburn’s star-making turn as Holly Golightly remains as luminous as ever in Blake Edwards’ sweetened yet still bittersweet adaptation of Truman Capote’s novel

National Book Awards 2021: Robert Jones Jr and Lauren Groff among finalists

The winners of the prestigious US awards, in five categories, will be announced in a ceremony in November

Bernardine Evaristo picks black authors for London ‘short story stations’

Author teams up with Canary Wharf to distribute short works by five writers during Black History Month

The best recent thrillers – review roundup

Nicci French and Liane Moriarty keep it in the family, a deadly haunted house game for Halloween and rural Australia has a new cop on the block

Burntcoat by Sarah Hall review – sex on the eve of destruction

A sculptor recalls her fling with a restaurateur as the world succumbs to a deadly virus in Hall’s urgent lockdown tale

In brief: Love & Deception: Philby in Beirut; The Tale of the Tailor and the Three Dead Kings; Ghosts of the West – reviews

A fresh take on the Kim Philby saga, a chilling retelling of a medieval tale and the third of Alec Marsh’s colourful mysteries

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  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand by Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships
  • A feud ‘straight out of Succession’, a rental thriller and an ‘absolute ripper’: the best Australian books out in April
  • What we’re reading: writers and readers on the books they enjoyed in March
  • JD Vance announces a new memoir about his conversion to Catholicism
  • Bold concepts, loose ends in Ibram X Kendi’s Chain of Ideas

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