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The Woman from Uruguay by Pedro Mairal review – nuanced tale of a midlife crisis

This astute novella follows an Argentinian writer and his frail fantasies on a day trip to Montevideo

Social media helped me face cancer, says Chocolat author Joanne Harris

Writer tells Lauren Laverne on Desert Island Discs how she felt ‘connected to the world’ when discussing her breast cancer

The Fell by Sarah Moss review – the hills are alive with pandemic anxieties

The story of four characters craving nature in the Peak District is a deft mixture of mounting dread, metaphysical angst and doomy drollness

Mary Gaitskill: ‘I have a nuanced mind, for better and worse’

The novelist and essayist on the disturbing power of Lolita, her regard for John Cheever, and her aversion to simplistic arguments

‘The Every is about an all-powerful monopoly that seeks to eliminate competition’: why Dave Eggers won’t sell his new hardback on US Amazon

The author on returning to the dystopian world of big tech in his sequel to The Circle, and how he’s taking a stand against Bezos’s empire

The name’s not Bond: where next for 007?

Hard on the heels of No Time to Die’s release, a new series of Bondless Bond novels from Kim Sherwood has been announced. Will it shake or stir the franchise?

Elif Shafak: ‘Reading Orlando was like plunging into a cold but beautifully blue sea’

The novelist on her love of Virginia Woolf, being inspired by HG Wells and how Jack Kerouac’s ego puts her off his books

Murder Isn’t Easy: The Forensics of Agatha Christie by Carla Valentine review – science and skullduggery

Mortuary technician Valentine reveals how advances in crime-fighting made their way into Christie’s novels

The Falling Thread by Adam O’Riordan review – deeply satisfying

The poet’s debut novel follows the drama-filled lives of three siblings in Manchester, in the lead up to the first world war

The Selfless Act of Breathing by JJ Bola review – an existential roadtrip

This powerful if overwrought novel considers one man’s search for release from systemic racism

Licensed to thrill: Kim Sherwood set to ‘expand the James Bond universe’

Known for her debut novel Testament, the Ian Fleming fanatic has been approved to write new novels set in 007’s world but without the agent himself

The Retreat by Alison Moore review – a tale of two islands

A would-be artist and an aspiring writer seek seclusion, in haunting but underdeveloped reflections on creativity and escape

Damon Galgut’s layered feat of fiction is a clear Booker winner

The Promise, about a toxic family in a toxic society, feels like the book this author was born to write

Damon Galgut wins Booker prize with ‘spectacular’ novel The Promise

The novelist takes the £50,000 prize with a ‘strong, unambiguous commentary on the history of South Africa and of humanity itself’

Senegal’s Mohamed Mbougar Sarr wins top French literary prize

Prix Goncourt goes to 31-year-old’s novel The Most Secret Memory of Men, praised for its ‘stunning energy’

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← Older posts
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  • Under Water by Tara Menon review – love, loss and a longing for the ocean
  • Baldwin by Nicholas Boggs review – the relationships that drove a genius
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • Tennessee library director fired after refusing to move LGBTQ+-themed kids’ books to adult section
  • Penguin to sue OpenAI over ChatGPT version of German children’s book
  • Does anyone think Matt Goodwin’s book on Britain’s demise is a publishing sensation? I mean, other than him
  • The New York Times drops freelance journalist who used AI to write book review
  • ‘Hope, insight and burning humanity’: 2026 International Booker prize shortlist announced
  • Fainting in front of Michael Jackson and feuding with Monica: inside Brandy’s jaw-dropping memoir
  • A Rebel and a Traitor by Rory Carroll review – the extraordinary story of Roger Casement
  • Transcription by Ben Lerner review – a stunning exploration of technology and storytelling
  • ‘African people are surreal’: songwriter and blues poet Aja Monet on Black resistance and love as spiritual warfare
  • Lázár by Nelio Biedermann review – a Hungarian epic from a 22-year-old author
  • Monsters in the Archives by Caroline Bicks review – the writing secrets of Stephen King
  • ‘Serve, smile, procreate’: Yesteryear author Caro Claire Burke on the rise of the tradwife
  • ‘Soon publishers won’t stand a chance’: literary world in struggle to detect AI-written books
  • My mom, the cult leader: ‘She told us what to wear, when to pray, how we would have sex. We were prisoners’
  • A new Austen drama made me wonder: is the fate of bookish young women really so different today?
  • Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
  • ‘I was in the pit of despair’: Non-speaking autistic novelist Woody Brown on his journey from write-off to writer
  • Richard Meier obituary
  • Children and teens roundup – the best new picture books and novels
  • Love Lane by Patrick Gale review – a homecoming tale with echoes of Brokeback Mountain
  • No New York by Adele Bertei review – a vivid, vibrant, musical coming of age
  • A Far-flung Life by ML Stedman review – a masterful examination of loss
  • Sleep Tight, Disgusting Blob wins Waterstones children’s book prize
  • ‘Effortlessly hip’: two novels named joint winners of Queen Mary small press fiction prize
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • The Two Roberts by Damian Barr audiobook review – love and lost dreams in bohemian London
  • My last fight with my Palestinian father still haunts me. Neither of us could bury the past

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