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Selling romance and erotica books during my breakup taught me about heartbreak

I didn’t just think a happily ever after was far-fetched – it would have been hard to convince me of a happily ever occurring again

‘A certain pleasant darkness’: what makes a good fictional sex scene?

The novelist Niamh Campbell on why describing intimacy is so difficult and how creative writing about sexuality is changing. Plus, she picks 10 of her favourite examples

Run and Hide by Pankaj Mishra review – new India, old ideas

An admirable attempt to tackle class, bourgeois greed and nationalism is undone by cartoon characters and a fictional landscape that lacks credibility

Pure Colour by Sheila Heti review – a curious dance with death

The Canadian novelist’s tussle with life’s big binaries finally reaches to be or not to be, in a surreal, witty book that works an impressive spectrum of meaning and feeling

A Terrible Kindness by Jo Browning Wroe review – inside the hidden world of embalming

The 1966 Aberfan disaster triggers flashbacks a young man has tried to suppress in a thoughtful debut novel that offsets tragedy with uplift

Violets by Alex Hyde review – a daring debut

Two women named Violet negotiate loss, secrets and birth during the second world war in this intensely inventive novel

Francis Spufford: ‘I felt that to call myself a writer would be a boast’

The author of Light Perpetual on a childhood spent hiding in books, dropping a V2 on a fictional London borough and giving up church politics

On my radar: Caleb Azumah Nelson’s cultural highlights

The Costa first novel award winner on ​Dave, the jazz photography of Roy DeCarava, ​and his restaurant obsession

The Great Gapsby? How modern editions of classics lost the plot

F Scott Fitzgerald’s masterpiece is the latest title to appear in a cheap modern version after copyright expires

Sheila Heti: ‘Books by women still get treated differently from those by men’

After her controversial novel about motherhood, the Canadian author has turned the spotlight on her father. She talks about grief, honesty – and her decision not to have children

The Slowworm’s Song by Andrew Miller review – failure and redemption

An alcoholic former soldier is tormented by his role in the Troubles in this beautifully written apologia for our common frailty

The best recent science fiction, fantasy and horror – reviews roundup

The This by Adam Roberts; All the White Spaces by Ally Wilkes; The Embroidered Book by Kate Heartfield; The Leviathan by Rosie Andrews; Echo by Thomas Olde Heuvelt; and They by Kay Dick

The Grass Hotel by Craig Sherborne review – immersive and poetic portrait of dementia

Sherborne’s latest work is comprised of a mother’s bitter and turbulent internal monologue to her son, as her mind – and her language – collapses

Anonymous Sex review – a teasing game of guess-the-author

Each erotic short story was written by a well-known writer – but which one? This coy anthology wants things both ways

Mercia’s Take by Daniel Wiles review – a brilliant debut

The hand-to-mouth life of a 19th-century miner in the Black Country shows the human cost of the industrial revolution

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  • British novelist Gwendoline Riley wins a $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships

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