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Miles Franklin prize removes novel from longlist after author apologises for plagiarism

Exclusive: The Dogs by John Hughes withdrawn from $60,000 prize after novelist admits he used parts of nonfiction work of Nobel laureate Svetlana Alexievich ‘without realising’

Horse by Geraldine Brooks review – a confident novel of racing and race

The Australian-American author gallops through the life of a famed racehorse in the antebellum south but falters when she reaches modern America

Unseen works by ‘queen of gothic fiction’ Shirley Jackson published

Two previously unseen short stories by Jackson, rated by Stephen King as one of the great horror fiction writers, are to appear in US magazine the Strand

Murdering the competition: Richard Osman thriller tops UK library loans

Stats from 2020-21 reveal that the Pointless presenter’s The Thursday Murder Club is the biggest hit in UK libraries

‘Unflinching’ debut written ‘for something to do’ during lockdown wins top book prize

Diana Reid’s Love & Virtue wins book of the year and literary fiction category at Australian Book Industry Association’s annual awards in Sydney

Paper Cup by Karen Campbell review – a journey towards healing

A homeless woman makes a pilgrimage to return a lost engagement ring in this poignant novel

Fight Night by Miriam Toews review – a war cry for rebellious women

The relationships between three generations – child, mother, grandmother – are brilliantly observed in a novel full of humour and pain

Miles Franklin-nominated novelist apologises for plagiarising Nobel laureate ‘without realising’

Exclusive: Guardian Australia uncovers multiple near-identical phrases and scenes in John Hughes’ book The Dogs and Svetlana Alexievich’s nonfiction work The Unwomanly Face of War

Top 10 novels about things that go horribly wrong on islands

From John Fowles’s deep weirdness to Yōko Ogawa’s amnesiac dystopia, these books could put you off beach holidays for ever

The Immortal King Rao by Vauhini Vara review – the rise and fall of a tech giant

The digital revolution is explored in this debut about a gifted coder’s journey from an Indian coconut plantation to the boardrooms of Silicon Valley

The Guardian view on time-loop fiction: when the past is imperfect

Editorial: It’s no coincidence that novels, romcoms and video games are all embracing the idea that history can be replayed

Authors at Hay festival weigh the meaning of authenticity

Who can write about whom was a running question, tackled by writers from Rose Tremain to Damon Galgut

Diego Garcia by Natasha Soobramanien and Luke Williams review – protest fiction for a new generation

Two writers take on a tale of exile, personal tragedy and literary friendship in a stirring reimagining of the political novel

In brief: The Ballast Seed; Miss Aldridge Regrets; Dinner Party – review

An escape from motherhood into horticulture; a murder mystery with reflections on race and class; and a subtly claustrophobic family drama

With a Mind to Kill by Anthony Horowitz review – 007 in a polished page-turner

Bond is headhunted by Smersh in a plot to eliminate the moderate Khrushchev in this rollicking Russian spy story

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← Older posts
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  • From Peepo! to Middlemarch: 25 books to read before you turn 25
  • ‘I got everything I dreamed of – when I had no ability to handle it’: Lena Dunham on toxic fame, broken friendships and her ‘lost decade’
  • The Guardian view on dystopias for our times: the American nightmare
  • Brian Rotman obituary
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • The best recent science fiction, fantasy and horror – review roundup
  • Go Gentle by Maria Semple review – a joyfully clever New York romcom
  • Circle of Wonders by Kathryn Heyman review – solace and healing in an acid-etched portrait of a dysfunctional family
  • Helen DeWitt turns down $175k Windham-Campbell prize over promotional requirements
  • Overnight by Dan Richards audiobook review – an immersive journey into the night worker’s world
  • The Housemaid author Freida McFadden reveals her true identity
  • Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup
  • The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change
  • You Are the Führer’s Unrequited Love by Jean-Noël Orengo review – Hitler, Speer and beyond
  • British novelist Gwendoline Riley wins $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage

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