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António Lobo Antunes’s exhilarating novels forced Portugal to confront its darkest moments

With an exacting modernist style and the courage to address fascism and colonialism head on, Lobo Antunes’s writing is a deluge of unforgiving truths in lush prose

The Infamous Gilberts by Angela Tomaski review – a delicious comfort read

A decaying gothic mansion tells the story of the family who once lived there, in this pitch-perfect debut of disappearances, betrayal and despair

The Manningtree Witches review – Ava Pickett’s gripping follow-up to Tudor hit 1536

The targets of the infamous 17th-century ‘witchfinder general’ narrate a powerful play based on AK Blakemore’s novel

The Ministry of Time by Kaliane Bradley audiobook review – a topical time-hopping romance

Actor Katie Leung narrates this genre-bending debut in which an Victorian Arctic explorer is catapulted into our brave new world

Department of the Vanishing by Johanna Bell review – brilliantly, terrifyingly plausible

In this wild little miracle of a book, an Australian government office is tasked with cataloguing the casualties of the Anthropocene

Bob Carr, ‘a masterpiece’ and a horny queer fantasy: the best Australian books out in March

Each month Guardian Australia editors and critics pick the upcoming titles they have devoured – or can’t wait to get their hands on

Why are today’s children’s books and films often so much better than adult ones?

It’s not simply that kids’ culture has improved since I was young. Across stage, screen and cinema, grownup offerings pale in comparison to those aimed at my son, writes Catherine Shoard

Gloria Don’t Speak by Lucy Apps review – tender portrait of a woman with a learning disability

Longlisted for the Women’s prize, this ambitious debut journeys into the inner world of a vulnerable teenager who is left traumatised by a toxic friendship

Claire Lynch wins Nero Gold prize for debut about 1980s homophobia

The £30,000 award went to novel A Family Matter, about a lesbian affair and a custody battle

Susan Choi and Katie Kitamura among authors longlisted for Women’s prize for fiction

Sixteen novels are in contention for the £30,000 award, now in its 31st year, with settings ranging from climate-ravaged islands to a near-future Kolkata

‘I owe Iron Maiden my English A-level!’ The great literature our writers discovered through pop music

Ahead of World Book Day on Thursday, Guardian music writers pick out the musicians whose literary references illuminated them – from Adam Ant on Joe Orton to the National on Grace Paley

The Quantity Theory of Morality by Will Self review – raucously inventive state-of-the-nation satire

Thirty-five years on from his debut collection The Quantity Theory of Insanity, Self takes aim at London’s chattering classes in an excoriating vision of moral decline

They by Helle Helle review – a novel to make the reader slow down and take notice

Minimalist but never austere, this mother-daughter portrait from the Danish author finds its power in everyday detail

The Daffodil Days by Helen Bain review – virtuoso portrait of Ted Hughes and Sylvia Plath’s final year

Portraying the breakdown of the couple’s marriage through the eyes of the people around them, this deeply researched and utterly convincing debut is an astonishing achievement

Dan Simmons, author of Hyperion and The Terror, dies aged 77

Award-winning science fiction and horror writer died in Colorado on 21 February with family at his side

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  • Robert Goodman obituary
  • Better than Wuthering Heights? The Brontës’ novels – ranked!
  • London book fair roundup: Idris Elba’s thriller deal, the rise of romcom, and fights against censorship
  • Margareta Magnusson, Swedish ‘death cleaning’ author, dies age 92
  • Howl by Howard Jacobson review – a tragicomic portrait of a Jewish man’s despair
  • The Infinity Machine by Sebastian Mallaby review – the story of the man who changed the world
  • ‘Orwell went off to fight. I thought I’d have to do the same’: Raoul Peck on his intimate connection with the writer
  • Jessie Buckley becomes first Irish winner of best actress Oscar for Hamnet
  • Paul Thomas Anderson wins first ever Oscar as One Battle After Another takes best adapted screenplay
  • Salman Rushdie says he is tired of being ‘free speech Barbie’ after 2022 attack
  • Jürgen Habermas obituary
  • Readers reply: which are more like life, novels or films?
  • Shahrnush Parsipur: ‘The women of Iran will cause the fall of the Islamic Republic’
  • Gatz review – the Great Gatsby performed in eight and a half hours of attentive, immersive joy
  • ‘My ideas are a little revolutionary’: ecologist Suzanne Simard on intelligent forests, the climate and her critics
  • The Guardian view on changes to copyright laws: authors should be protected over big tech
  • Peter Jones obituary
  • Grammarly removes AI Expert Review feature mimicking writers after backlash
  • ‘I could barely think because it was so bad’: how pain changes us
  • A Melbourne rooftop: the glittering night sky opened our hearts and minds to each other
  • The best recent science fiction, fantasy and horror – review roundup
  • Ex-CIA analyst David McCloskey on the Mossad’s intelligence inside Iran: ‘I was surprised’
  • Daisy Johnson: ‘I wasn’t a fan of David Szalay, but Flesh is a masterpiece’
  • ‘It’s like a giant book club’: how schools are getting children excited about reading again
  • Light and Thread by Han Kang review – a tantalising book of reflections
  • Hooked by Asako Yuzuki review – follow-up to global hit Butter
  • Official BookTok chart set to launch in the UK
  • Strange Beach by Oluwaseun Olayiwola audiobook review – a debut that dances with passion
  • In Bloom by Liz Allan review – an electric debut of grunge and teen spirit
  • ‘I said no, then I just gave up’: Brooke Nevils on her sexual assault claims about one of TV’s biggest stars

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