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‘Writing is exactly like love – you need to do it in the dark’: novelist Leila Slimani on starting a new chapter in her life

Now in residence at the Madrid Prado, the author talks about its dark, inspirational Goyas, the clandestine nature of her writing – and why she finally wrote about her jailed then posthumously exonerated father

The Vivisectors by Missouri Williams review – twisted love story from a cult writer

Williams follows her prize-winning debut with a gothically overstuffed tale of a cynical young woman in a crumbling university town

From racy riders to romantic rivals: Jilly Cooper’s best books – ranked!

The second series of Rivals has put the bestselling author’s brand of saucy jollity back on screen, but what is her bonkbuster nonpareil?

Whistler by Ann Patchett review – a saccharine story of reunion

A woman’s encounter with the stepfather she hasn’t seen for decades leads to a revived bond – but is it all too perfect?

I was punched on the school bus. Being violently bullied changed me – and affected one of the biggest decisions of my life

I’ve worked hard to leave the intimidation I experienced in the past. But when I met the man I wanted to marry, those childhood memories took me by surprise

Hunger and Thirst by Claire Fuller review – a blend of social realism and gothic horror

In this lurid, big-boned, often brilliant book about a sculptor and a true-crime documentary, state-of-the-nation commentary and gruesome chills combine

Phantom Days by Angela O’Keeffe review – a rich, lyrical story told through the ‘eyes’ of a book

Though O’Keeffe’s third novel is partly narrated by a seemingly sentient object, the result is wonderfully human

Kingfisher by Rozie Kelly audiobook review – smart reflections on love, desire and power

This heartfelt story of attraction and friendship, shortlisted for the Women’s prize for fiction, is sensitively read by Dan Bottomley

The Mercy Step by Marcia Hutchinson review – indie debut on the Women’s prize shortlist

This vivid story of a Caribbean childhood in 1960s Bradford does not stint on accounts of poverty and systemic abuse, yet is pungent with wit and colour

I Want You to Be Happy by Jem Calder review – romance for the terminally online

What makes this love story fresh is the precise attention to the contemporary environment: the way characters live both in and out of the physical world

International Booker prize goes to novel originally written in Mandarin Chinese for the first time

Taiwan Travelogue by Yáng Shuāng-zǐ, translated by Lin King, pulled off an ‘incredible double feat’ in succeeding as ‘both a romance and an incisive postcolonial novel’

‘Obvious markers of AI’: doubts raised over winner of short story prize

Granta publisher says ‘perhaps we never will know’ true authorship of work that won Commonwealth prize

Offseason by Avigayl Sharp review – wry comedy of a frazzled teacher

Sharp’s deadpan debut reads like a gen Z update on The Prime of Miss Jean Brodie, playfully skewering modern literary tropes

Smallie by Eden McKenzie-Goddard review – the stories behind the Windrush scandal

In this warm and tender debut, the family of Barbados-born Lucinda must try to document her decades in Britain after the Home Office threatens her with deportation

Who’s in, who’s out, and how many have you read? The story behind our 100 best novels list

Jane Eyre or Wuthering Heights. Ulysses or Catch-22 … Find out which title came top, as chosen by authors, critics and academics worldwide

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  • Unseen Harry Houdini writing published on 100th anniversary of his death
  • What we’re reading: Ian Rankin, Louise Kennedy and Guardian readers on the books they enjoyed in October
  • ‘Being hated is very bracing’: Helen Garner on surviving three marriages and being called a ‘rotten feminist’
  • Nigel’s ‘chiselled cheekbones’ make the news – Reform’s the Reformer, digested by John Crace
  • The Guardian view on 50 years of The Selfish Gene: flawed, outdated, yet still a model of truly popular science writing
  • I wrote a book about death. Here’s what people really think about dying
  • The best recent translated fiction – review roundup
  • Philippa Gregory: ‘I read 100 of the 18th century’s most popular novels – the perfect author’s apprenticeship’
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Ike Ong obituary
  • Sarah Howe wins Forward poetry prize for best collection
  • Bram Stoker’s Dracula audiobook review – cinematic horror with an A-list cast
  • Hometown by Shaun Tan review – another masterpiece from the acclaimed author-illustrator
  • If British Library reading rooms become ‘co-working spaces’, what, exactly, is a national library for?
  • Are You With Me Now? by Hanif Kureishi review – a novelist unleashed
  • Liz Truss has brought our divided nation together – in mockery of her
  • ‘We sold out tickets within 13 minutes’: new novel from romantasy author Sarah J Maas sparks fan mania
  • Two years on from our first newsletter … how has the Long Wave evolved?
  • Walter Koenig obituary
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • ‘There is no inevitable dystopia’: Jeanette Winterson on AI and the future of humanity
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert
  • Is It Too Late to Make a Run for It? by Judi Dench review – whatever you do, don’t call her a ‘national treasure’
  • Post your questions for Alex Cox
  • Gulliver fans celebrate three centuries of Jonathan Swift’s classic satire
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain
  • Time Being by Jude Cook review – a smart existential tale of midlife
  • Michael Gambon: the authorised biography review – a brilliant actor, and a master deceiver
  • ‘I, The TrUssTER, will NeveR die’ – Liz Truss’s Bank Job, digested by John Crace
  • Sin or virtue? How envy can actually be helpful

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