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No Name in the Street; Going to Meet the Man by James Baldwin – review

In the centenary of his birth year, the author’s voice is as necessary, human and sharp as ever in a reprinted short story collection and memoir from the 1960s and 70s

They Dream in Gold by Mai Sennaar review – love and identity on the 1960s music scene

A glorious debut about a Senegalese singer’s rise to stardom and the woman he meets in New York

In brief: Banal Nightmare; Feeding the Monster; Burning Angel and Other Stories – review

Midlife millennial angst abounds in Halle Butler’s sardonic novel, while Anna Bogutskaya bites into our love of horror films, and Lawrence Osborne spans the globe with gripping tales

Pat Barker and Benjamin Myers in conversation: ‘I’m absolutely intolerable when I’m not writing’

Ahead of new books by both, the two English novelists discuss their friendship, the baggage that comes with being labelled ‘northern writers’ and why the Krankies’ memoir is a must-read

Portraits at the Palace of Creativity and Wrecking by Han Smith review – a secret history

This ambitious debut uncovers a town’s dark past, in a story of teenage dissidence that is alert to the deceptions of propaganda

Mick Herron: ‘Most people didn’t know I was writing – I was a secretive kind of writer’

His spy series became the TV hit Slow Horses, and now his earlier novels are being adapted for screen, starring Emma Thompson. Mick Herron talks about finding recognition

The List of Suspicious Things by Jennie Godfrey audiobook review – coming of age in a time of fear

Two girls set out to catch the Yorkshire Ripper in this vividly narrated novel of adolescent curiosity and confusion

Claire Kilroy: ‘My moral compass has turned 180 degrees on Lolita’

The Irish author on the allure of Lolita, the comfort of Yeats and the power of Winnie-the-Pooh

Moderate to Poor, Occasionally Good by Eley Williams review – a freewheeling collection

A fascination with words and symbols provides a unifying theme in this richly ambiguous collection of short stories

Ferdia Lennon wins Waterstones debut fiction prize for “riotous” novel Glorious Exploits

Described as a ‘masterclass in tragicomedy’, the novel, set in Syracuse in 412BC, follows two locals who decide to stage Medea in a quarry using prisoners as actors

The Honeyeater by Jessie Tu review – this biting tale of backstabbing uber-egos will stay with you

Tu’s second novel, charting a young translator’s messy relationship with a two-faced academic couple, brilliantly dissects power and whiteness

The Pages of the Sea by Anne Hawk review – Windrush children who were left behind

A young girl is bereft when her mother goes to England, in this vivid debut of family sacrifices and secrets

Heart, Be at Peace by Donal Ryan review – bravura small-town chorus

The inner thoughts of an Irish community speak volumes about the state of the nation in Donal Ryan’s sequel to The Spinning Heart

The Book of Elsewhere by Keanu Reeves and China Miéville review – pulpy hijinks

A film star and a fantasy icon collaborate on an ultraviolent tale of a superhero’s search for mortality

Hugo awards organisers reveal thousands spent on fraudulent votes to help one writer win

The science fiction and fantasy prize says it has culled 377 votes mostly for ‘Finalist A’, who will not be disqualified as there is no proof they were aware

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  • This Cursed Beautiful Land by Evan Gershkovich review – jailed in Putin’s Russia
  • Ebenezer review – Johnny Depp’s Scrooge tries to exorcise ghosts of business past
  • Transcription by Ben Lerner audiobook review – a mediation on memory for the smartphone era
  • One for Sorrow by Favel Parrett review – affecting novel builds to a devastating climax
  • Zimbabwean author Simbarashe Kundizeza cleared of using AI to write prize-winning story
  • Public Access Afterworld by Jane Schoenbrun review – horror in the TV static
  • You had me at LOL: some notes for the You’ve Got Mail reboot
  • Does M John Harrison’s Booker win mean science fiction is finally accepted by a ‘snobby’ literary establishment?
  • David Walliams cameo cut from Australian film after sexual harassment allegations
  • Prima Facie review – Cynthia Erivo’s brilliant barrister blazes in sexual assault drama
  • ‘My partners would all tell you I was a nut job’: Jane Wiedlin on the Go-Go’s, fame and the freedom of sex dungeons
  • Female Perversions review – Tilda Swinton searches for erotic adventures in rework of Madame Bovary
  • The Man With Many Names by Georgi Gospodinov review – playful and profound tales from Bulgaria
  • The best recent science fiction, fantasy and horror – review roundup
  • Ten Lives by Mona Chalabi review – what if we were totally honest about our wealth?
  • ‘Homosexuality was coined by a Hungarian’: the gay-sauna travelogue questioning central Europe’s illiberal image
  • ‘We are dream-walking into a desperate situation’: the Booker prize winner on his sci-fi alien invasion wakeup call
  • Jilly Cooper’s beloved typewriter could fetch £8,000 at auction
  • Judging this year’s Booker prize taught me our humanity cannot be captured by algorithms and data
  • Killing the Pope review – the truth behind the attempted murder of John Paul II
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • M John Harrison’s Booker prize-winner is weird, challenging and strikingly topical
  • M John Harrison becomes first science fiction author to win the Booker prize
  • Hometown glory? Norwegian library unveils £100k history book donated by Erling Haaland
  • A one-part wonder! The West End’s streamlined Harry Potter and the Cursed Child works like magic
  • A job that changed me: As a bookseller I realised reading is more than an insular pleasure – it builds connection too
  • Two Women by Jacqueline Rose review – a memorial to Gillian Rose
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • ‘Thicky thicky dumb dumb’ satirist Cody Dahler on his viral videos: ‘my material is presented to me on a silver platter!’
  • ‘I was in a darker place than I’d ever been. ECT was my only hope’: how Ted Scheinman finally broke through his depression

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