French writer Anne Martinetti to recreate recipes from the Queen of Crime’s books particularly suitable for concealing poison as part of September festival
South African writer explains his boycott, backing novelist Thando Mgqolozana’s claim that white audiences treat black authors as anthropological subjects
Broadcaster, who is leaving the BBC, tells Hay festival she refuses to be deterred despite experiencing a great deal of abuse since announcing new political party
The much-loved children’s classic is given an animated overhaul by the co-director of Kung Fu Panda, but over-elaboration means it almost goes down in flames
Being an anime, Game of Thrones or Doctor Who nerd can be an expensive business, but an increasing number of fans are converting their passions into cash
The star of Todd Haynes’s acclaimed lesbian romance, Carol, has said her words about same-sex relationships were taken out of context, but she looks forward to a time when people no longer need to publicly discuss their sexuality
Patricia Highsmith’s The Price of Salt has become an entrancing Cannes premiere directed by Todd Haynes, beautifully made and outstandingly intelligent
This year’s Manchester international festival sees the premiere of wonder.land, a new musical that aims to update Lewis Carroll’s classic tale for the digital age. Directed by Rufus Norris with music by Damon Albarn, it is written by dramatist Moira Buffini, who here explains Alice’s enduring appeal• The Guardian is the festival’s media partner
The creative director of 59 Productions, video designers for Manchester international festival’s Carroll-based musical Wonder.land, explains the influences and ideas behind their new vision
Andrew Pulver: Natalie Portman has gone back to her home country for her directorial debut, a serious, well-made adaptation of Amos Oz’s memoir of the early years of Israel’s statehood