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Historian pulls out of Chalke Valley festival over lack of diversity

Rebecca Rideal says she is pulling out of UK’s leading history event after learning that programme of 148 speakers has only 32 women and one person of colour

Selfies, Sophocles and Stephen Fry – the week at Hay festival

Mythical magic from Colm Tóibín, some illuminating medieval manuscripts and a game Neil Gaiman … this week in Hay-on-Wye

Chris Kraus: I Love Dick was written ‘in a delirium’

Published in 1997, I Love Dick was so far ahead of its time that only now does it seem to be approaching its apex. Chris Kraus discusses it with Elle Hunt

Stephen Fry: Facebook and other platforms should be classed as publishers

Speaking at Hay festival, writer accuses ‘aggregating news agencies’ of not taking responsibility for their content

Thirty years on, Hay festival is still thinking, talking and laughing

It was conceived as an excuse to ‘have a few mates round’, but now the Hay literary festival is embracing a much wider vision and is a global event

Good Time review – Robert Pattinson sticks up for his brother in chaotic heist movie

Pattinson turns in a strong performance as a career crim in the Safdie brothers’ exciting, if sometimes bewildering take on Elmore Leonard-style crime dramas

The Beguiled review – Sofia Coppola contrives hilariously fraught feminist psychodrama

Colin Farrell plays a wounded soldier who throws himself on the mercy of a ladies’ seminary during the American civil war – and sets them all of a decorous flutter

How to Talk to Girls at Parties review – Nicole Kidman goes peroxide punk in messy sci-fi caper

Kidman channels Toyah Wilcox – not to mention Dick Van Dyke – as part of an extravagantly muddled adaptation of Neil Gaiman’s aliens v punks short story

The King review – a wild ride through doomed America in Elvis Presley’s car

The story of the King’s old Rolls Royce soon gives way to an exploration of fame, power, race and everything else in Eugene Jarecki’s dizzying documentary

The 10 best things to do this week: Annie, Hay festival and Killology

Miranda Hart plays a spiteful orphanage owner, literature’s finest minds meet in Wales and the Royal Court parses out an apocalyptic future

Wonderstruck review – gooey and indulgent YA fantasy fails to inspire awe

Carol director Todd Haynes latest, set in both 1920s and 1970s New York, has nice details but suffers from a glib tone and some preposterous plotting

Amber Heard sues London Fields producer over body-double sex scenes

The actor accuses the film’s producer of secretly filming ‘pornographic’ scenes with a body double that she claims violated a nudity clause in her contract

Return to Montauk review – beached affair takes time to connect

Past lovers Nina Hoss and Stellan Skarsgård border on the unlovable in this slow-paced drama, but Volker Schlöndorff’s film rewards patience for its final twist

The Lost City of Z review: Charlie Hunnam slow-burns down the Amazon, leaving Sienna Miller at home

James Gray’s introspective tale of adventurer Percival Fawcett’s obsession with a lost Amazonian city is a twist on the familiar Conrad jungle narrative

The Young Karl Marx review – intelligent communist bromance

Marx and Engels meet cute in this intense, fervent film about the early development of communism from I Am Not Your Negro director Raoul Peck

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  • The Lonely City by Olivia Laing audiobook review – solitude and creativity in Manhattan
  • A Little Bit Bad by Cassandra Neyenesch review – a sparkling, subversive debut
  • Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
  • Collapse by Édouard Louis review – coming to terms with a brother’s death
  • I came out as a Christian at work – and this is what happened next
  • Morbid by Saul Justin Newman review – why everything you think you know about longevity is wrong
  • Cracking stories, Gromit: Wallace’s long-suffering canine companion to tell all in memoir
  • Wombles set to return after 27 years as IP deal opens door to comeback
  • ‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
  • Kazuo Ishiguro announces 1930s spy caper to be published next year
  • ‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
  • The Uses of Utopia by Joad Raymond Wren review – can the ideal society ever exist?
  • Natural Disaster by Lisa Owens review – the last day of maternity leave is a comic rollercoaster
  • From tents to trebles: Edinburgh book festival to set author’s words to music
  • From Bloomsbury to Whitehall: new play reimagines life of John Maynard Keynes
  • Wash by Erica Wagner review – vivid portrait of a monumental American
  • Photographer Don McCullin to focus on Vietnam for his final book
  • Togetherness by Rowan Hooper review – a stunning portrait of cooperation in nature
  • ‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist
  • ‘Straight out of Trumpland’: LGBTQ+ members fight for Pride after Essex library ban
  • Trump as Don Corleone: ‘Every time he does somebody a favour … he expects a quid pro quo’
  • 70 brilliant books for the summer
  • ‘Failure was my thing’: Women’s prize winner Virginia Evans on her long journey to success
  • The Guardian view on literature in wartime: words do not stop when the bombing begins
  • Mary Hooper obituary
  • ‘We can’t give up on Afghans’: Lyse Doucet on the remarkable ‘people’s history’ that won her the Women’s prize
  • More of the Christchurch shooter’s online comments have been uncovered, New Zealand researchers say. Does it change the picture?
  • The best Father’s Day gifts in the UK for dads, grandads, uncles and friends
  • ‘Are audiobooks cheating?’ We answered your questions about our 100 top novels list
  • The best recent science fiction, fantasy and horror – review roundup

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