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Air-raid alerts and frontline memoirs: Kyiv hosts literary festival amid war

Visitors flock to Book Arsenal in Ukraine’s capital as wartime writing takes centre stage

Virginia Woolf’s Night and Day review – dreamy adaptation reaches for the stars

Woolf’s novel about a headstrong young Edwardian woman takes flight under Tina Gharavi’s direction, with Timothy Spall and Jennifer Saunders among the ensemble cast

Sajid Javid says backing Liz Truss to lead Tories was his ‘biggest political mistake’

Former chancellor also tells Hay festival ‘good riddance’ to Tory MPs defecting to Reform

Ian McEwan says pessimism ‘a bigger problem than climate change’

Speaking at Hay festival as UK breaks May heat record, author says optimism is a ‘moral duty’

The Birthday Party review – grimly compulsive unhappy occasion in deepest France

Cannes film festival: This could be better paced but the crisis which descends on an up-against-it dairy farm is delivered by some very memorable goons

Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan

Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads

Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria

Cannes film festival: Commanding performances and a great musical score underpin this seductive drama about regret, memory and young love

Propeller One-Way Night Coach review – John Travolta family plane fantasy is a short-haul joyride

Travolta directs and narrates this 60-minute adaptation of his own short story about a boy who dreams of being a pilot

All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good

Cannes film festival: Ryusuke Hamaguchi’s ocean-hopping treatise on love and mortality is undeniably beautiful – but it works best in its quieter, compassionate moments rather than the flurries of self-conscious solemnity

Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return

Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller

After collapse and controversy, Adelaide writers’ week has a new director: ‘I don’t envy anyone in this position’

Rosemarie Milsom, who formed and runs Newcastle writers festival, will take over from Louise Adler after the literary festival imploded over invitation to Randa Abdel-Fattah

Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup

The 79th edition of the film festival will see work by Pedro Almodóvar, Hirokazu Kore-eda and László Nemes considered for the coveted Palme d’Or

Gisèle Pelicot and Nazanin Zaghari-Ratcliffe among Hay Festival 2026 speakers

The line-up for this year’s festival includes Emma Thompson, Malala Yousafzai, Ian McEwan and other prominent authors and figures

Amazon pulls sponsorship from Paris book festival after booksellers’ association boycott

Syndicat de la Librairie Française accused online retailer of trying to ‘flood the market with fake AI-generated books’

A Prayer for the Dying review – pestilent western feels like a short stretched too long

Johnny Flynn and John C Reilly offer casting heft, but this moody, technically sound tale of an unfolding epidemic in 1870s Wisconsin lacks emotional substance

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← Older posts
  • Stolen Revolution by Bozorgmehr Sharafedin and Yeganeh Torbati review – Iran’s recent history explained
  • Booker prize launches new Quick Read in effort to boost adult reading rates
  • The End of Everything by M John Harrison review – near-future visions from an SF master
  • Bill Jordan obituary
  • I have found the perfect book group – we discuss problematic text messages
  • ‘I want to be other people’s cautionary tale’: how do you financially prepare for a parent’s death?
  • ‘Wear something that makes you feel silly!’ Can Austin Kleon’s tips put the spark back in my life?
  • Villa Coco by Andrew Sean Greer review – fun in the Tuscan sun
  • A British Childhood by Frank Cottrell-Boyce review – are we raising a bookless generation?
  • Ruth Artmonsky obituary
  • ‘Far right groups prey on it’: Olivia Laing on the weaponisation of loneliness
  • Should we ditch the idea of three meals a day?
  • Air-raid alerts and frontline memoirs: Kyiv hosts literary festival amid war
  • Search for lesbian grandmothers who inspired children’s book
  • Readers’ top 100 novels of all time
  • Move over Middlemarch! Readers’ top 100 novels
  • The Guardian view on the UK’s first centre for illustration: visual literacy, and the sheer joy of images, matter
  • Best Australian books out in June: a buzzy novel, gripping nonfiction and an extremely unusual debut
  • Unseen Edith Wharton short story is published more than a century later
  • The best recent poetry – review roundup
  • Rivals’ Rutshire – a place where modern Britain’s brutal divisions disappear in a cloud of sex
  • The Children by Melissa Albert review – intriguing fairytale of creativity’s dangers
  • The Ruiners by Ellena Savage review – a playful and subversive take on Great Expectations
  • Dina Nayeri: Marjane Satrapi brought Iranian women like me out of hiding
  • I Deliver Parcels in Beijing by Hu Anyan audiobook review – a grim life in China’s gig economy
  • Marjane Satrapi, creator of Persepolis and acclaimed French-Iranian artist, dies aged 56
  • Dominion by Addie E Citchens review – Women’s prize-shortlisted portrait of patriarchy’s horrors
  • Belle Burden’s divorce memoir was headed for a Salt Path-style scandal – but people are still on her side
  • ‘Happiness is not just about GDP’: ambitious plan or utopia?
  • The Traveller by Andrea Wulf review – an 18th century explorer far ahead of his time

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