This debut about female friendship and environmental fragility set after the 2004 tsunami in Thailand is strong on grief, but the storytelling remains uneven
The philosophy was embraced by film noir, the French New Wave and modern hitmen questioning life’s purpose. Now dust off your turtlenecks, for Sirāt and a new version of Albert Camus’ The Stranger look set to make ennui on-trend again
Writer and author Alex Preston said he “made a serious mistake” after a reader spotted similarities between his review and one that appeared in the Guardian
Radicalised by the inventiveness of groups such as the Harlem Renaissance, the LA-based artist is determined to reclaim the radical possibilities of culture in an age of institutional and algorithmic exploitation