Populist prejudice

Crime books easier to write than 'serious' novels? That attitude is, frankly, cobblers, says Mark Lawson

‘If you don’t scare anyone, you haven’t really succeeded’

The first time Roberto Saviano stepped inside a mafia don's house, he urinated in the bath. This raw hatred - and reckless defiance - of the mob drove him to expose them in a bestselling book. Does he regret putting his life on the line? Sometimes, he tells John Hooper

OJ and that ‘weird gap’

If I Did It, OJ Simpson's 'confession', has been a bestseller in the States; but should it have been published, asks Duncan Campbell

The poet of collision

Rereading: Dashiell Hammett knew that his day job as a detective for the anti-trade union Pinkerton agency made him in large part a fascist tool - his guilt, writes James Ellroy, was the driving force of his crime fiction.

Sinister obsession

David Mckie: A splenetic outburst by Conan Doyle reveals just how differently left-handed batters were once viewed.

Back to the mean streets

Scott Turow's old-school collection, The Best American Mystery Stories 2006, shows little sign of a new wave in crime fiction, says John Williams.

The sage of Sicily

Andrea Camilleri writes crime stories that shift effortlessly from the comic to the grotesque. Paul Bailey on the late flowering of an Italian phenomenon.

The Hammett of Havana

His award-winning crime novels feature transvestites, crooked officials and moralising newsreaders. For some critics, it's too dark a picture of Cuba. But, Leonardo Padura tells Duncan Campbell, his work reflects the reality of his country.

Ellroy’s dark places

James Ellroy talks to Steve Rose about the film of The Black Dahlia and his mother's death.