Thought crime: James Sallis

As he revisits the fractured antihero of two previous novels, James Sallis talks about writing crime fiction focusing on character rather than plot

Bosses from hell

New film Gomorrah shows the mafia's true colours - as slave drivers, toxic-waste dealers and terrorists. Clare Longrigg reports

Goodbye to Jim Crumley

I will leave it to the obituarists and the critics to judge his legacy, all I want to do now is remember the man I knew

Silks

Review: Silks by Dick Francis and Felix FrancisThe pace is slowed by the hamfisted inclusion of barely digested chunks of information about the English legal system from Magna Carta to the present

The Panama mystery

Mark Lawson: Mr and Mrs Canoe's case fascinates but can't match crime fiction's satisfying motives and denouement

Charming crime

Crime: Laura Wilson on Bones in the Belfry | Death on a Branch Line | City of the Sun | Broken

Interview

Author Sara Paretsky is best known for creating the feisty female detective VI Warshawski. But in her latest book, she finds the strength to tackle her troubled childhood in rural Kansas

Populist prejudice

Crime books easier to write than 'serious' novels? That attitude is, frankly, cobblers, says Mark Lawson

‘If you don’t scare anyone, you haven’t really succeeded’

The first time Roberto Saviano stepped inside a mafia don's house, he urinated in the bath. This raw hatred - and reckless defiance - of the mob drove him to expose them in a bestselling book. Does he regret putting his life on the line? Sometimes, he tells John Hooper

OJ and that ‘weird gap’

If I Did It, OJ Simpson's 'confession', has been a bestseller in the States; but should it have been published, asks Duncan Campbell

The poet of collision

Rereading: Dashiell Hammett knew that his day job as a detective for the anti-trade union Pinkerton agency made him in large part a fascist tool - his guilt, writes James Ellroy, was the driving force of his crime fiction.