Elmore Leonard is regarded as the greatest American crime writer, surpassing even Raymond Chandler. But it is time to drop the qualification of genre, argues Philip Hensher
Memory loss is the theme of two of the year's most unnerving debuts, while Tom Franklin brings real literary flair to his award-winning Mississippi crime novel, writes Alison Flood
The mass slaughter on Utøya in July shook Norway to its core. Now the country's crime writers must come to terms with what happened, writes Andrew Anthony