There is something missing from this image of a hole in a safe deposit wall: empathy. Our outrage at unfettered wealth is the same emotion that hinders the Tories
Val McDermid says that while crime fiction is naturally of the left, thrillers are on the side of the status quo. Jonathan Freedland votes against this reading
Today’s crime novels are overtly critical of the status quo, while the thriller explores the danger of the world turned upside down. And with trust in politicians nonexistent, writers are being listened to as rarely before
Unlike Rebus or Morse (or my last novel), Sophie Hannah sets her detective fiction in an invented county to avoid over-familiarity. But the strategy is not infallible
The UK’s most borrowed titles reveal a thirst for thrillers, crime novels and children’s fiction, with Jamie Oliver the only non-fiction title among the top 100
Julie Shaw brings a unique perspective to the crime books she writes about the notorious Hudson clan – the main characters are her uncles. She talks about her family’s roots on the wrong side of the tracks