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Death Note review – overstuffed Netflix horror is a flawed but fun emo ride

This chaotic Hollywood adaptation of the celebrated Japanese series has enough going on for an entire season – but there are still reckless thrills to be had

How Netflix can spawn a Marvel-style Millarworld superhero universe

Acquisition of Scottish comic book business can transform into a multibillion-dollar film franchise

Netflix buys comic book company behind Kick-Ass and Kingsman

Streaming giant aims to copy Marvel owner Disney’s superhero strategy with Millarworld, its first ever acquisition

The Jonathan Cape/Observer/Comica graphic short story prize 2017 – enter now!

The annual award for aspiring cartoonists offers the chance to be published and win a cheque for £1,000, with past winners going on to further success

Gil Jordan: the great Belgian detective you’ve never heard of

Long eclipsed in English by Tintin, Maurice Tillieux’s cool, sharp investigator has a good claim to being the world’s best private eye

From Thor: Ragnarok to Stranger Things – 10 things we learned from Comic-Con 2017

The annual fan event in San Diego, with its usual mix of teasers, trailers and talks, gave viewers leads on what to expect from next year’s hottest projects

On my radar: Nina Stibbe’s cultural highlights

The author on the joys of sleeper trains, genetically engineered pigs and women’s wrestling

Ready Player One: first trailer for Steven Spielberg’s virtual reality game thriller

The BFG director debuted the footage from his new film at a Comic Con event, showcasing elaborate VR and special effects

Spider-Man comics finally swing into the big-money league

Our friendly neighbourhood arachnid is finally getting the attention he deserves among collectors – with a new issue shooting straight to No 1 and copies of the first series selling for hundreds of thousands

Gary Panter: the cartoonist who took a trip to hell and back

Dante and Milton are recast through the eyes of a redneck Jesus in Gary Panter’s latest graphic novel. He opens up about the nightmare hallucinations and comic-book disasters that led him there

Corey Stoll: ‘It’s foolish to think art can imbue your audience with a particular political view’

The House of Cards and Girls star talks about the final season of vampire horror The Strain, and what it was like to star in this summer’s notorious Julius Caesar

Boundless by Jillian Tamaki review – picture-perfect short stories

This collection of graphic short stories, quirky and ephemeral though they seem at first, are indelible in the mind

The Divided States of Hysteria’s shocking cover should never have been printed

Image Comics is only the latest publisher to withdraw tasteless material. All publishers must sharpen their editorial oversight to pre-empt such scandals

Can Wonder Woman save Hollywood from its problem with female superheroes?

Gal Gadot’s solo outing has received a warm welcome from critics, a far cry from the industry’s previous failed attempts to introduce equality to the genre

The physics of Casper the Friendly Ghost: why can’t he open the door?

Twitter spent the holiday weekend debating the science behind the animated spirit. These are some of the questions haunting cartoon buffs

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← Older posts
Newer posts →
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert
  • Post your questions for Alex Cox
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain
  • Time Being by Jude Cook review – a smart existential tale of midlife
  • Michael Gambon: the authorised biography review – a brilliant actor, and a master deceiver
  • ‘I, The TrUssTER, will NeveR die’ – Liz Truss’s Bank Job, digested by John Crace
  • ‘Cocaine is the Gollum of drugs’ – and other things we learned from Anthony LaPaglia’s surprisingly juicy memoir
  • Tell us: what have you been reading this month?
  • War Is Interested in You by Gideon Rachman review – are we on the brink of world war three?
  • Music Against the Night by Yiyun Li review – a virtuosic interrogation of the power of art
  • ‘Whimsical witch stuff’ and vintage radio shows: how horror novelists celebrate Halloween
  • ‘There’s nothing interesting about me – and no interest in me’: how Larry David’s new biography nearly didn’t happen
  • Two children’s laureates to give royalties to Sally Rooney after her UK sales halted
  • ‘A hidden tradition’: Benjamin Moser wants you to know Jewish anti-Zionism is not new
  • Zadie Smith tells Dua Lipa inequality has made culture clashes feel ‘existential’
  • Anthony LaPaglia: ‘There is not a role I didn’t get that I ever gave more than four hours of grievance to – even Tony Soprano’
  • ‘Our third date was at Buckingham Palace’: Marlon James and Nicholas Boggs on life as a literary power couple
  • Terry Denton obituary
  • Ryu Murakami, cult Japanese author, dies aged 74
  • Stranger things turn an English village upside down in Max Porter’s rural noir Lanny
  • Children’s and teens roundup – the best new picture books and novels
  • Jane Brown obituary
  • Under Fire by Humza Yousaf – a deeply affecting story of being stranded in Gaza
  • ‘I struggle to see myself as someone special’: Sandra Hüller on being the star of four – or, possibly, five – of the year’s biggest films
  • The Snowman gets a hi-tech rebuild – with help from Raging Bull and a ‘Hot Santa’
  • Inter Alia by Suzie Miller review – an urgent play about rape and justice is undermined by its novelisation
  • Zadie Smith among authors letting public bid to name new characters for charity auction
  • Black Bag by Luke Kennard audiobook review – brilliant Booker-shortlisted campus comedy
  • I longed for my big break. Then a Nobel winner and my girlfriend showed me why success isn’t everything
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent

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