Don Giovanni

Hell, Freud once remarked, lies in the ceaseless repetition of the same compulsive act. He was writing about neurosis, but Graham Vick, in his Glyndebourne production of Mozart’s Don Giovanni, reapplies it to the opera’s metaphysics. His Don is hauled … Continue reading →

Goode/Aimard

Barbican, London/ Royal Festival Hall, London

Daphne

Royal Opera House, London

Kurtag

Queen Elizabeth Hall, London