While Gordon Getty's treatment of the story was dull and dramatically plodding, Robert Orledge's economic and evocative version was far more involving, writes Andrew Clements
The countertenor tells Leah Harper about his favourite printmaker, classical crossover stars Clean Bandit – and why you can't beat a good cup of coffee
The novelist and biographer talks to Leah Harper about a top-class novel about dancers, the genius of musicians and the hysterical delights of Gogglebox
Tom Service: As the first full biography of pianist John Ogdon is published, hear how his astonishing music-making transcended his psychological difficulties