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Sarah Moore Fitzgerald’s top 10 books featuring grandparents

From Charlie's Grandpa Joe to Heidi's grump of a gramp, grandparents are as loved in children's fiction as in real life. Sarah Moore Fitzgerald picks her favourites

The Dark by Lemony Snicket, illustrated by Jon Klassen – watch the trailer

Lemony Snicket, author of A Series of Unfortunate Events, has written a picture book. Not only that, he's got Jon Klassen, who drew This Is Not My Hat, to illustrate it, and Neil Gaiman to read it. We think that's quite cool. Here's the trailer - what do you think?

Penny Dreadful is a Magnet For Disaster by Joanna Nadin – review

lilybelle: 'I loved this book and its style, I laughed all the way through.'

The Whizz Pop Chocolate Shop by Kate Saunders – review

Poppy68: 'This is an ideal book for all chocolate-loving, magic-loving, mystery and humour-loving people'

We Have Lift-Off by Sean Taylor and Hannah Shaw – watch the trailer

Narrated by the first chicken in outer space, this trailer for the story of an intergalactic mission by a bunch of farm animals tickled our fancy. How about you?

Jack’s Amazing Shadow by Tom Percival – watch the trailer

Jack is a perfectly ordinary boy...in most ways. But what happens when he and his shadow fall out?

What gives a picture book lasting appeal?

Book doctor: The best picture books conceal timeless truths. Try Oliver Jeffers' Lost and Found or Alex Deacon's Beegu

The Shape of My Heart by Mark Sperring and Alys Paterson – review

Marzena and Dominic: 'you feel like you've done an awful lot of teaching/learning - but all in a very pleasant and fun way'

Lunchtime by Rebecca Cobb – review

Marzena and Dominic: 'Dominic was quite sceptical about the story and acted as if it didn't apply to him (oh, yes it does!)'

Annabel Pitcher wins Waterstones children’s book prize

Ketchup Clouds by Annabel Pitcher wins the teen category and the overall prize in the awards judged by booksellers

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  • Philippa Gregory: ‘I read 100 of the 18th century’s most popular novels – the perfect author’s apprenticeship’
  • ‘I saw the script and went: oooh!’ Olivia Colman and Alexander Skårsgard on their steamy folk-horror movie Wicker
  • Ike Ong obituary
  • Sarah Howe wins Forward poetry prize for best collection
  • Bram Stoker’s Dracula audiobook review – cinematic horror with an A-list cast
  • Hometown by Shaun Tan review – another masterpiece from the acclaimed author-illustrator
  • If British Library reading rooms become ‘co-working spaces’, what, exactly, is a national library for?
  • Are You With Me Now? by Hanif Kureishi review – a novelist unleashed
  • Liz Truss has brought our divided nation together – in mockery of her
  • ‘We sold out tickets within 13 minutes’: new novel from romantasy author Sarah J Maas sparks fan mania
  • Two years on from our first newsletter … how has the Long Wave evolved?
  • Walter Koenig obituary
  • The Devils review – Ken Russell’s 1971 possessed-nuns tale is a frenzied aria of confrontation and hysteria
  • ‘There is no inevitable dystopia’: Jeanette Winterson on AI and the future of humanity
  • In One Brief Moment All Eternity by Elif Shafak review – what Madame Bovary thought of Flaubert
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  • Post your questions for Alex Cox
  • Gulliver fans celebrate three centuries of Jonathan Swift’s classic satire
  • Arnie & Barney review – dimwit ant double-act from Maya the Bee are on mission to entertain
  • Time Being by Jude Cook review – a smart existential tale of midlife
  • Michael Gambon: the authorised biography review – a brilliant actor, and a master deceiver
  • ‘I, The TrUssTER, will NeveR die’ – Liz Truss’s Bank Job, digested by John Crace
  • Sin or virtue? How envy can actually be helpful
  • ‘Cocaine is the Gollum of drugs’ – and other things we learned from Anthony LaPaglia’s surprisingly juicy memoir
  • Tell us: what have you been reading this month?
  • War Is Interested in You by Gideon Rachman review – are we on the brink of world war three?
  • Music Against the Night by Yiyun Li review – a virtuosic interrogation of the power of art

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