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riverrun review – ‘an extraordinary tour de force’

Olwen Fouéré's solo stage interpretation of Finnegans Wake at the Shed is a delight, writes Kate Kellaway

Kenneth Tynan on Sam Wanamaker – ‘a director of the new school twists the arm of an old melodrama’

In this extract originally published on 8 May 1955, the stage version of Zola's Thérèse Raquin, directed by Sam Wanamaker, fails to arouse the Observer theatre critic's passion

Riverrun review – ‘An hour spent fishing in Joyce’s Finnegans Wake’

An inexorable rush of thought and idea, full of mystery and marvel – much like the great text that inspired it, writes Maddy Costa

Under the Skin review – very freaky, very scary, very erotic

Jonathan Glazer's sci-fi horror-flick, starring Scarlett Johansson as an extraterrestrial roaming Glasgow in a white van, picking up men, is visually stunning and deeply disturbing

The best books on Peru: start your reading here

Pushpinder Khaneka: Our literary tour of Peru embraces Manuel Odría's dictactorship, murder in Ayacucho, and the legacy of Pizarro's conquistadors

Haunted Empire review – great title, shame about the contents

Charles Arthur: A Wall Street Journal reporter tries to answer the question of whether Apple’s innovation has burnt out after its founder’s death. But if you’ve already decided that it has, shouldn’t you have some evidence too?

Of Mice and Men review – Quicker and richer just to read Steinbeck’s novella

John Steinbeck's affecting story of two Depression-era farmhands carries too much dramatic dead weight in this low-testosterone production, writes Matt Trueman

A Bigger Prize review – the price we pay for competition

Margaret Heffernan's brave study shows how the competitive instinct can be bad for us in all walks of life, from sport to finance, writes Iain Morris

Cycle of Lies review – Juliet Macur’s unflattering portrait of Lance Armstrong

Juliet Macur's book on Lance Armstrong amounts to a comprehensive take-down of a fallen idol, writes Tim Lewis

Inside a Pearl review – Edmund White’s dazzling Paris memoir

Edmund White's account of Paris in the early 1980s brims with wit and anecdote, writes Ruth Scurr

I Spend Therefore I Am review – the true cost of economics

Philip Roscoe's critique of the "pernicious" intrusion of economics into everyday life is compelling, writes Iain Morris

The Amber Fury review – Greek tragedy with added suspense

Sophocles gets the noir treatment in Natalie Haynes's suspenseful debut, writes Jessica Holland

Strange Bodies review – Marcel Theroux’s ‘loopy and engaging’ metaphysical thriller

Marcel Theroux's gleeful novel of shifting identities is a thrilling parable for our times, writes Alexander Larman

Someone Else’s Skin review –’a superbly disturbing debut’

Sarah Hilary's compelling first thriller sees detective Marnie Rome forced to face her fear of victimhood, writes Alison Flood

Falling into the Fire review – a psychiatrist’s impressive study of mental health

Christine Montross helps to demystify madness with her insightful, case-based account of the ethics of psychiatry, writes Stephanie Merritt

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  • British novelist Gwendoline Riley wins a $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships

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