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Philip Pullman’s Grimm Tales: An Immersive Fairytale for Young and Old review – ‘Instagram theatre’

Sleeping Beauty chic meets the online generation for this plush stage version of Pullman's bestseller, but more love should have been lavished on the acting, writes Matt Trueman

A Million Ways to Die in the West, review – Seth MacFarlane’s first novel

The highest-paid TV writer in history has written a weird western that had Harry Ritchie ploughing through brothel scenes with the glum doggedness he usually reserves for tax returns

A Long Way Down review – ‘Fantastically unconvincing’

This film version of Nick Hornby's 2005 novel is a wince-inducing parade of misjudgments and false notes, writes Peter Bradshaw

Divergent: ‘Shailene Woodley is lovely, but this film is an endless slog’ – first look review

Review: Like the last Hunger Games movie, Neil Berger’s take on Veronica Roth’s bestselling novel is too long and poorly plotted

Five Came Back review – great Hollywood directors and the second world war

Mark Harris's study of the interwoven war careers of Ford, Wyler, Capra, Stevens and Huston impresses Philip French

Other People’s Countries review – memory lane, lovingly explored

Poet and novelist Patrick McGuinness's lyrical recollection of his childhood takes John Banville's breath away

The Real Jane Austen: A Life in Small Things review – ‘an innovative approach’

Paula Byrne examines Austen's life and work vividly through 18 objects connected to her, writes Helen Zaltzman

The Land of Gold review – Sebastian Barker’s fond farewell to paradise

Suffused with a love of God – and Greece – Sebastian Barker's final poems are a holiday for the soul, writes Kate Kellaway

A Sense of Direction review – ’emotional, occasionally hilarious travel writing’

Gideon Lewis-Kraus’s relationship with his father is the heart of this erudite and witty book, writes Daniel Cohen

Running Free review – a year in the Northamptonshire countryside

Richard Askwith returns to his love of running in this compelling memoir, writes Alexander Larman

We Are All Completely Beside Ourselves review – a harrowing family drama

Karen Joy Fowler's tale of a family imploding has a twist – but much more besides, writes Lucy Scholes

What Was Promised review – ‘Tobias Hill’s White Teeth’

Tobias Hill's fifth novel, which follows three immigrant families, confirms him as an outstanding writer of his generation, writes Stephanie Merritt

The French Intifada review – ‘A courageous view of modern France’

Andrew Hussey's study of the legacy of French colonialism deserves our admiration, writes Nick Fraser

A Quiet Word review – ‘lobbyists are too easy a target’

John Kampfner: There's more to crony capitalism than the antics of the sharp-suited lobbyists detailed in this rather partisan study

The Road to Middlemarch review – Rebecca Mead’s overly earnest thoughts on a masterpiece

Rebecca Mead's highly personal tribute to George Eliot's Middlemarch lacks wit and brio, writes Rachel Cooke

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  • British novelist Gwendoline Riley wins a $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships

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