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Terror and Wonder: The Gothic Imagination – an epic tour through the dark corners of desire

This exhibition of gothic ephemera, from Sadean dresses to possessed ventriloquists, is not so much about art as it is an inquiry into the liberation of the mind

Violette review – fine biopic of Simone de Beauvoir’s protege

Emmanuelle Devos brings enormous charisma to this story of writerly ambition and romantic disappointment, writes Peter Bradshaw

Gone Girl review – David Fincher thrills with portrait of love gone wrong

Rosamund Pike and Ben Affleck are today’s Bergman and Boyer in a twisted tale of murder, misogyny and love gone wrong, writes Peter Bradshaw

Seminar review – egos duel in creative-writing comedy with Roger Allam

Allam is a joy to watch in Theresa Rebeck’s smart, clever play about a faded novelist and his charges, writes Michael Billington

A Girl Is a Half-formed Thing five-star review – a courageously feminist production

Eimear McBride’s award-winning novel transitions perfectly to the stage in Corn Exchange’s startling and upsetting Dublin theatre festival show about the impact of sexual abuse, writes Helen Meany

Fields of Blood review – an absorbing study of religion and violence

Karen Armstrong traces the links between religion and violence from ancient Egypt to modern jihad, writes Salley Vickers

Not That Kind of Girl: A Young Woman Tells You What She’s ‘Learned’ review – Lena Dunham’s hilarious memoir

Lena Dunham’s life story is as witty, frank and intense as she is, writes Nina Stibbe

Scottish Ballet: The Crucible/Ten Poems review – dance of the dead and the ‘demons’

A lovingly crafted celebration of Richard Burton reading Dylan Thomas is paired with a brave edit of Miller’s monumental drama, writes Alice Bain

Victoria: A Life review – the monarch brought to vivid life

AN Wilson makes engaging use of diaries and letters to conjure the energy and emotions of the grieving Queen Victoria, writes Natasha Tripney

Stone Mattress review – Margaret Atwood’s deft touch illuminates old age

In this collection of nine stories, Margaret Atwood peels away layers of the human experience, says Anita Sethi

Six Poets: Hardy to Larkin review – Alan Bennett’s favourite poets

Alan Bennett reveals far more of himself than he does of Hardy, Larkin, Betjeman and co in this nonetheless enjoyable anthology, writes Kate Kellaway

George Osborne: the Austerity Chancellor review – a biography far too in love with its subject

Janan Ganesh’s fawning account of the rise of George Osborne is too blinded by his achievements to grapple with less pleasant facts, writes Chris Mullin

The Copernicus Complex review – Caleb Scharf’s balanced view of the hunt for ET

If Earth is so unremarkable, why haven’t we found signs of alien life? By Robin McKie

Hockney: the Biography Volume 2 review – portrait of the artist as the eternal adolescent

David Hockney comes across as emotionally detached and incurably eccentric in this second volume of Christopher Simon Sykes’s biography, writes Peter Conrad

Us by David Nicholls review – the One Day author has raised his game

The Booker longlisted tale of a family falling apart on holiday has real philosophical depth, says Matt Haig

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  • The man who saw the future: the legacy of cultural theorist Mark Fisher
  • The best recent crime and thrillers – review roundup
  • The Dog’s Gaze by Thomas Laqueur review – the art of the canine, from Velázquez to Picasso
  • Griefdogg by Michael Winkler review – a cryptic, beguiling tale about a man who turns into a dog
  • Pooh in pencil: sketches for original Winnie-the-Pooh book shared for first time
  • RFK Jr once cut penis off ‘road-killed raccoon’ in New York, new book reveals
  • The Possibility of Tenderness by Jason Allen-Paisant audiobook review – meditations on nature and belonging
  • More than 100 writers quit French publisher in protest against rightwing owner Vincent Bolloré
  • Yesteryear by Caro Claire Burke review – the downfall of an all‑American tradwife
  • Communion by Jon Doyle review – a charged debut about sin and solace
  • The Fallen by Louise Brangan review – an enraging account of Ireland’s Magdalene laundries
  • When an author says she had to decline a $175,000 prize, what does it say about the publishing world?
  • ‘This craving to go viral is tiresome’: the artists sick of the pressure to promote on social media
  • Vernon Katz obituary
  • Michael Rosen wins Hans Christian Andersen award
  • On Memoir by Blake Morrison review – lessons in life writing from a master
  • All Them Dogs by Djamel White review – murderous desires in the badlands of Dublin
  • My Year in Paris With Gertrude Stein by Deborah Levy review – wonderfully entertaining
  • Tucker Carlson to launch publishing imprint with books by Russell Brand and Milo Yiannopoulos
  • Walking Shadow by Greg Doran review – Shakespeare’s healing power
  • No need for hard stares as Paddington: The Musical triumphs at Olivier awards
  • Is AI the greatest art heist in history?
  • ‘We feel this incredible tension at all times’: what happened to small-town USA when extremists moved in
  • From Peepo! to Middlemarch: 25 books to read before you turn 25
  • ‘I got everything I dreamed of – when I had no ability to handle it’: Lena Dunham on toxic fame, broken friendships and her ‘lost decade’
  • The Guardian view on dystopias for our times: the American nightmare
  • Brian Rotman obituary
  • Jane Caro: ‘I’ve been bullied by the wittiest men in Australia’
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • The best recent science fiction, fantasy and horror – review roundup

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