This six-part adaptation of Sarah Moss’s novel is deeply confused. The acting is melodramatic, the tone bewildering and the plot is full of cartoonishly grim situations that go nowhere
The Murder at World’s End by Ross Montgomery; The Confessions by Paul Bradley Carr; The Good Nazi by Samir Machado de Machado; Bluff by Francine Toon; The Token by Sharon Bolton
The 23rd and final Phryne Fisher mystery will be treasured by fans of the long-running series, but a single fumbled sentence derails this otherwise enjoyable book
Full-tilt chase sequences, a punk aesthetic and a sugar-rush soundtrack, means there is plenty of enjoyment to be had as Edgar Wright goes back to King’s original 1982 novel